Higher Beings Commanded Higher Beings Commanded
A quartet of shows at MoMA decoct enlightenment from the banal.
Apr 30, 2014 / Books & the Arts / Barry Schwabsky
Learning From Mexico Learning From Mexico
Richard Rodriguez’s vision of racial mixing as New World destiny.
Apr 30, 2014 / Books & the Arts / Daniel Brook
Survivalpop Survivalpop
The desperate situation of country’s popularity.
Apr 30, 2014 / Books & the Arts / Joshua Clover
Song and Dance Song and Dance
Why a production of Prince Igor was a missed opportunity to call a truce between opera and dance.
Apr 22, 2014 / Books & the Arts / Marina Harss
The Brand Is My Business The Brand Is My Business
The only mystery about The Black-Eyed Blonde is when publishing derivative works became original.
Apr 22, 2014 / Books & the Arts / Sarah Weinman
Money / Talks Money / Talks
O that common verb. Dress me in spatulas put the moon around my neck. Parting air the poet waves a hand, too much lace and I wonder if the trolley’s real, a giant upside-down flying spoon. God and hair I knew you in the Mechanical Age. Now I am someone who gets off and on trains with dads and bags everyday. Look, it’s 4:43 in the afternoon people go home. My mother wore Obsession in the eighties. I smell fire which has no hands, did you hear me? I have no horses now. Someone did not make your sweater, someone didn’t make it who loves you.
Apr 22, 2014 / Books & the Arts / Amanda Nadelberg
In Our Orbit: Dream and Wit In Our Orbit: Dream and Wit
E.L. Doctorow’s Andrew’s Brain
Apr 22, 2014 / Books & the Arts / Hannah Gold
Sculpting With Color Sculpting With Color
Ed Clark and Lynda Benglis are still making art on a grand scale.
Apr 22, 2014 / Books & the Arts / Barry Schwabsky
Thomas Piketty and Millennial Marxists on the Scourge of Inequality Thomas Piketty and Millennial Marxists on the Scourge of Inequality
Capitalism’s new critics take on an economics run amok.
Apr 14, 2014 / Books & the Arts / Timothy Shenk
The County Seat of Presidio County The County Seat of Presidio County
One thinks of boats this far from water then goes back to just so crushing into sculpture the rear and forward quarter panels of three cars pasteled for half a century by the Big Bend sun, by the windy grit, tarantula spit, and even piercing starlight for that singular space in the mind of art: an abandoned barracks in afternoon’s half-shadow. Even in winter, it’s a long way for the glare to chariot his old welder across the sky. Boyd Elder sweeps the wasps from Prada Marfa a good twenty miles from Marfa proper. Someone else hates that someone by accident swept the Russian schoolhouse everyone loves to hate. A colossal horseshoe crucified with a ridiculous man-sized nail against the sky casts the shadow of a sickle and hammer. Yuccas lean for decades, and the rust on all maybe-likes the sun. After a downpour flees east to Alpine, it’s best to shake your head at the green that nearly tries. It didn’t rain last year, and it won’t rain this year, says the mayor to the hung-over travelers who could be artists, and one of them writes this in a notebook to an angel he saw late last night down the long Judd-red counter of the convenience store, her entire right shoulder’s agave-blue agave tattoo lit by the cash register candy bar light. She bought cigarettes as they locked the doors. Who could know she would come all this way with her soft bangs, her confident nostrils, and that utterly touchable old white sweater? He hopes deeply she might run him over with the land yacht of her prevailing aesthetic.
Apr 12, 2014 / Books & the Arts / John Poch