Language Arts

Salt Song Salt Song

—Zunis make shrines on the way to a lake where I emerge  and Miwoks gather me out of pools along the Pacific  the cheetah thirsts for me  and when you sprinkle me on rib eye you have no idea how I balance silence with thunder in crystal  you dream of butterfly hunting in Madagascar  spelunking through caves echoing with dripping stalactites  and you don’t see how I yearn to shimmer an orange aurora against flame  look at me in your hand  in Egypt I scrubbed the bodies of kings and queens  in Pakistan I zigzag upward through twenty-six miles of tunnels before drawing my first breath in sunlight  if you heat a kiln to 2380 degrees and scatter me inside  I vaporize and bond with clay  in this unseen moment a potter prays because my pattern is out of his hands  and when I touch your lips  you salivate  and when I dissolve on your tongue  your hair rises  ozone unlocks  a single stroke of lightning sizzles to earth—

Dec 23, 2014 / Books & the Arts / Arthur Sze

Anniversary or Apathy?

Anniversary or Apathy? Anniversary or Apathy?

Memory and revolution in Poland since 1989

Dec 16, 2014 / Books & the Arts / Piotr H. Kosicki

Barber Barber

From the hotel in Martyrs’ Square we drive west into Achrafieh in search of a barber, where I learn there are four words for barber— three of which are spit out, the last of which—coiffeur—anoints the tongue with its mellifluence, like the milky coffee served by the small African woman who never stops bending and refilling. We sit with a group of men wearing three-piece suits fingering their prayer beads and crosses and watch a man, larger than most, giggle through his haircut. He has some advice for what I ought to do with my sideburns. They are too long, and my beard, it is not good, there are ways to fix this, and so these men, who in another time would have other advice, and other things to offer, gather around to officiate as my coiffeur takes a blade to my neck, and gently trims until my head is as smooth and perfumed as a past which is not past, but present.

Dec 16, 2014 / Books & the Arts / John Freeman

Artists Keeping Secrets

Artists Keeping Secrets Artists Keeping Secrets

The eloquent silences of Albert York and Judith Scott.

Dec 9, 2014 / Books & the Arts / Barry Schwabsky

Suspicious Minds

Suspicious Minds Suspicious Minds

Joseph O’Neill’s Dubai novel, The Dog.

Dec 9, 2014 / Books & the Arts / Peter C. Baker

Propaganda, Deed

Propaganda, Deed Propaganda, Deed

A riot is a riot because it is not simply a message.

Dec 9, 2014 / Books & the Arts / Joshua Clover

Our Words, Our Selves

Our Words, Our Selves Our Words, Our Selves

Is our language broken and suddenly in need of repair?

Dec 4, 2014 / Books & the Arts / E. Ethelbert Miller

Plugged Into the Socket of Life

Plugged Into the Socket of Life Plugged Into the Socket of Life

Behind Richard Pryor’s jokes and barbs was a man yearning to be free.

Nov 25, 2014 / Books & the Arts / Scott Saul

The Osprey The Osprey

or sea-eagle, what the guidebook says is white, grayish brown, and “possessed of weak eye- masks” in its non-migratory island instance, is blue. Blue, riding thermal bands so low over the water it picks up the water’s color, reticulate tarsi tipping the light crests; and picks up one of the silver fish cutting the surface there, so the fish is blue, too, flapping-gone- slack in the grasp of its claws—as only the owl shares an outer reversible toe-talon, turned out for such clutching; as the water, in turn, picks up the sky- depth reflective blue sent down from ages beyond, into which the osprey lifts now without a least turning of wing-chord though “they are able to bend the joint in their wing to shield their eyes from the light”; what I mean is, by the time I tell you this it’s gone: fish-and-bird, this “bone-breaker,” brown or gray “diurnal raptor,” back into the higher trades. Someday, too, this blue—

Nov 25, 2014 / Books & the Arts / David Baker

Transmission Transmission

  So he who strongly feels, behaves.        —Marianne Moore You find in an alley the mouthpiece of a flute. Gossip alone makes music and suddenly from the pines the birds all fly away. You are devoted to giving clear meaning to one movement. The water in the fountain. Down the fountain. Over it. The prayer chapel but its brick bench. Magnolias in almost bloom. The failure to believe in mathematics is a failure of emotion— you have spent all of your free time. Choral directors describe the torso in terms of the muscles of sound. Your wife paints your two-year-old’s fingernails and the two-year-old says, toes too! Sitting next to an anthill feels like this. They work so hard. And for so little. For salvation. This is the mystery. This is forgiveness.

Nov 25, 2014 / Books & the Arts / Gary L. McDowell

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