Evicted From His Own Head: On Sigizmund Krzhizhanovsky Evicted From His Own Head: On Sigizmund Krzhizhanovsky
In the stories of Sigizmund Krzhizhanovsky, the landscape of the Russian revolution is hostile territory, and terrifying in its scope.
Nov 11, 2009 / Books & the Arts / Elaine Blair
Linguistic Currency Linguistic Currency
In an information economy, tiny asymmetries in language comprehension translate into vast profits--and large-scale collapses.
Nov 3, 2009 / Books & the Arts / Ange Mlinko
At Least, At Most: The Novels of Don Carpenter At Least, At Most: The Novels of Don Carpenter
With his plain, weather-beaten prose, Don Carpenter was a good enough novelist not to have to prove it.
Oct 21, 2009 / Books & the Arts / Charles Taylor
Honey and Salt Honey and Salt
Technology has made us capable of exterminating ourselves. In The Year of the Flood, Margaret Atwood wonders what might save us.
Oct 14, 2009 / Books & the Arts / William Deresiewicz
Drunk and Disorderly Drunk and Disorderly
Jean Rhys wrote about women who tangled with class and sexuality on their own terms.
Oct 6, 2009 / Books & the Arts / Phoebe Connelly
Nader’s Road to Utopia Nader’s Road to Utopia
In Ralph Nader's new utopian novel, "only the super-rich can save us."
Sep 23, 2009 / Books & the Arts / Richard Lingeman
Back Talk: E.L. Doctorow Back Talk: E.L. Doctorow
A conversation with the author of Homer and Langley about opting out.
Sep 23, 2009 / Books & the Arts / Christine Smallwood
A Domestic Existentialist: On Mercè Rodoreda A Domestic Existentialist: On Mercè Rodoreda
Mercè Rodoreda's fiction plumbs a sadness borne of helplessness, an almost voluptuous vulnerability.
Sep 16, 2009 / Books & the Arts / Natasha Wimmer
Speak as Little as Possible: On Clarice Lispector Speak as Little as Possible: On Clarice Lispector
Novelist Clarice Lispector idealized animals and idiots because they were free of the desire to translate experience into words.
Sep 10, 2009 / Books & the Arts / Rachel Aviv
Aracataca and Sucre Aracataca and Sucre
Will narrowed on a single object and fixed in the face of adversity--such is the recurring story of Gabriel García Márquez's work and life.
Sep 2, 2009 / Books & the Arts / William Deresiewicz