The Swiss Village That Made Kropotkin an Anarchist The Swiss Village That Made Kropotkin an Anarchist
Cyril Schäublin’s Unrest may be the most orderly movie about anarchists ever made.
Jun 14, 2023 / Books & the Arts / J. Hoberman
How Michael Franti Finds Hope in Troubled Times How Michael Franti Finds Hope in Troubled Times
A music legend, and longtime Nation reader, talks about music, optimism, and Howard Zinn.
Jun 13, 2023 / Dave Zirin and Dave Ashton
Pat Robertson’s Genocidal God Has Called Him Home Pat Robertson’s Genocidal God Has Called Him Home
The political preacher who made the religion look bad.
Raging Bullshit: Credits and the Hollywood Economy Raging Bullshit: Credits and the Hollywood Economy
The Max streaming platform debuted a credit system that obscures the actual work done by film writers and other creative workers.
Jun 8, 2023 / Ben Schwartz
How CNN Went From Bad to Worse How CNN Went From Bad to Worse
Chris Licht’s disastrous reign is governed by reactionary centrism.
Jun 5, 2023 / Jeet Heer
Truth in the Age of the Deepfake Truth in the Age of the Deepfake
Could our interest in true-crime podcasts and celebrity biopics be telling us something about our collective discomfort with faking it?
Jun 2, 2023 / Marianela D’Aprile
“This Ain’t No Disco,” Broadway Tells David Byrne “This Ain’t No Disco,” Broadway Tells David Byrne
The former Talking Heads front man is battling the local musicians' union over a production that relies on prerecorded music.
Jun 2, 2023 / Chris Lehmann
The Janus-Faced End of “Succession” The Janus-Faced End of “Succession”
At once cruel and compassionate, the finale of the much-loved HBO show revels in the space between tragedy and comedy.
May 31, 2023 / Books & the Arts / Vikram Murthi
Kelly Reichardt’s Cinema of Class Conflict Kelly Reichardt’s Cinema of Class Conflict
In her latest film, Showing Up, she continues a career-long project of examining the bitter resentments produced by inequality.
May 31, 2023 / Books & the Arts / Alex Kong
Soul-Crushing Misogyny Made “Succession” the Perfect Show for Our Time Soul-Crushing Misogyny Made “Succession” the Perfect Show for Our Time
It was clear from the start: Siobhan Roy could never win. But toxic masculinity made the men losers too.
May 30, 2023 / Joan Walsh