Semper Fi, But Why? Semper Fi, But Why?
Were I to tell you that Rules of Engagement features a protracted fistfight between Samuel L.
Apr 13, 2000 / Books & the Arts / Stuart Klawans
Decline of the West Decline of the West
"I just wanted to give a taste of what it feels like to be two-sided," said Sam Shepard, explaining his motivation for writing True West. "It's a real thing, double nature.
Apr 5, 2000 / Books & the Arts / David Yaffe
He Took a Village He Took a Village
In the role of New Yorker writer Joseph Mitchell--source and subject alike of Joe Gould's Secret--Stanley Tucci adopts the hesitant drawl of a displaced Southern aristocrat, who ...
Apr 5, 2000 / Books & the Arts / Stuart Klawans
Touched by an Angel Touched by an Angel
Tilman Riemenschneider
Mar 30, 2000 / Books & the Arts / Arthur C. Danto
Legionnaire’s Disease Legionnaire’s Disease
If you squint long enough at Claire Denis's amazing Beau Travail--you'll have to squint, given the African sunlight--you will make out the faint contour of a story.
Mar 30, 2000 / Books & the Arts / Stuart Klawans
Pigeons Home to Roost Pigeons Home to Roost
Star vehicle?
Mar 22, 2000 / Books & the Arts / Stuart Klawans
The Awful Truth The Awful Truth
Special thanks to Alison Mann.
Mar 16, 2000 / Books & the Arts / Manohla Dargis
Independents’ Day Independents’ Day
The most important day in the history of American independent film was May 8, 1947, which witnessed the opening of a picture so personal--no, so heedlessly self-revelatory--that ...
Mar 16, 2000 / Books & the Arts / Stuart Klawans
Honor the Blacklistees Honor the Blacklistees
After last year's brouhaha surrounding the presentation by the Academy of Motion Picture Arts and Sciences of a Lifetime Achievement Award to Elia Kazan, one member of the academ...
Mar 16, 2000 / Books & the Arts / Victor Navasky
American Beauty or American Pie? American Beauty or American Pie?
*Last year, I was the guest editor of The Nation's first issue devoted exclusively to Hollywood and politics.
Mar 16, 2000 / Books & the Arts / Peter Biskind