The Awful Truth The Awful Truth
Special thanks to Alison Mann.
Mar 16, 2000 / Books & the Arts / Manohla Dargis
Independents’ Day Independents’ Day
The most important day in the history of American independent film was May 8, 1947, which witnessed the opening of a picture so personal--no, so heedlessly self-revelatory--that ...
Mar 16, 2000 / Books & the Arts / Stuart Klawans
Honor the Blacklistees Honor the Blacklistees
After last year's brouhaha surrounding the presentation by the Academy of Motion Picture Arts and Sciences of a Lifetime Achievement Award to Elia Kazan, one member of the academ...
Mar 16, 2000 / Books & the Arts / Victor Navasky
American Beauty or American Pie? American Beauty or American Pie?
*Last year, I was the guest editor of The Nation's first issue devoted exclusively to Hollywood and politics.
Mar 16, 2000 / Books & the Arts / Peter Biskind
Planetary Realignments Planetary Realignments
Last night a teenager killed himself below my bedroom window. I heard it happen: first a crescendo of police sirens coming up the avenue at two in the morning, then a crash.
Mar 9, 2000 / Books & the Arts / Stuart Klawans
On Leo, Gio and Tobey On Leo, Gio and Tobey
It's a sign of age: Mention 1985, and I will sometimes think you're talking about last year.
Mar 2, 2000 / Books & the Arts / Stuart Klawans
Dog Days Dog Days
The first thing Jim Jarmusch asks you to do in Ghost Dog: The Way of the Samurai is to look up and down.
Feb 23, 2000 / Books & the Arts / Stuart Klawans
Lennon’s MI5-FBI Files Lennon’s MI5-FBI Files
The headline in the Sunday Times of London was spectacular: Lennon Funded Terrorists and Trotskyists. It was also erroneous.
Feb 23, 2000 / Books & the Arts / Jon Wiener
Craven Idolatry Craven Idolatry
For someone who misspent his youth in film societies and revival houses, where mushrooms develop more readily than social skills, a job as a movie reviewer wonderfully eases the ...
Feb 16, 2000 / Books & the Arts / Stuart Klawans
To Her, With Love To Her, With Love
I like a filmmaker who walks you into a story.
Feb 10, 2000 / Books & the Arts / Stuart Klawans