Arts and Entertainment

Howls of Anger, and of Liberation

Howls of Anger, and of Liberation Howls of Anger, and of Liberation

The new film Howl reveals how Allen Ginsberg's radical poem marked a coming out not only for his generation but also for himself.

Sep 29, 2010 / Books & the Arts / Sarah M. Seltzer

Good-Enough Objects: On Craft Good-Enough Objects: On Craft

How did craft become a calling that dare not speak its name?

Sep 22, 2010 / Books & the Arts / Barry Schwabsky

Dogged Truths Dogged Truths

My Dog Tulip; Last Train Home; Heartbreaker; Machete

Sep 8, 2010 / Books & the Arts / Stuart Klawans

Bluer Rather Than Pinker Bluer Rather Than Pinker

How much does language tell us what to see, and hence what to think?

Sep 7, 2010 / Books & the Arts / Ange Mlinko

Slacker Friday Slacker Friday

 On the media, John McCain, "Hotel California," wives, ex-wives and shows at the Palladium.

Aug 28, 2010 / Books & the Arts / Eric Alterman

On ‘Friday Night Lights’, Abortion Stigma Goes Primetime On ‘Friday Night Lights’, Abortion Stigma Goes Primetime

Manipulating information women who are seeking abortion receive is a staple of antichoice politics. A recent episode of Friday Night Lights reveals how damaging that strategy is.

Aug 26, 2010 / Books & the Arts / Nancy Northup

An Art of Time An Art of Time

Rafael Ferrer and Christian Marclay prize an aesthetic of spontaneous responsiveness irrespective of subject.

Aug 25, 2010 / Books & the Arts / Barry Schwabsky

America: Now and Here

America: Now and Here America: Now and Here

A vast new art exhibition will attempt to reconnect the heartland to our nation's artistic genius.

Aug 12, 2010 / Books & the Arts / Simon Maxwell Apter

A Calamity of Heart

A Calamity of Heart A Calamity of Heart

An essay for “America: Now and Here.”

Aug 12, 2010 / Books & the Arts / E.L. Doctorow

A Cinema of Refusal: On Pedro Costa

A Cinema of Refusal: On Pedro Costa A Cinema of Refusal: On Pedro Costa

In his Letters from Fontainhas trilogy, Pedro Costa treats the balance of form and content as a moral imperative.

Aug 11, 2010 / Books & the Arts / Akiva Gottlieb

x