Brackets, Brackets, Everywhere Brackets, Brackets, Everywhere
Alter-reviews of Stoppard and music old and new, Reed on the Washington Post's decision to bracket their writers into right-leaning and left-leaning and reader mail.
Mar 17, 2011 / Blog / Eric Alterman
As If: On Barbie Zelizer As If: On Barbie Zelizer
Most journalists think that words are more important than images. Barbie Zelizer thinks they are wrong.
Mar 16, 2011 / Books & the Arts / Victor Navasky
Little Resistance to Gravity: On Lynda Benglis and David Hammons Little Resistance to Gravity: On Lynda Benglis and David Hammons
Radiant and obscure, the art of Lynda Benglis and David Hammons has a way of hiding itself.
Mar 10, 2011 / Books & the Arts / Barry Schwabsky
Then They Came for the Pensions Then They Came for the Pensions
Alter-reviews of French movies and some new tunes, Reed explains the secret war on pensions, and the mail.
Mar 4, 2011 / Blog / Eric Alterman
A Signature Copy A Signature Copy
Abbas Kiarostami's Certified Copy; Matt Porterfield's Putty Hill; Patricio Guzmán's Nostalgia for the Light; J. Hoberman's new book, An Army of Phantoms
Mar 3, 2011 / Books & the Arts / Stuart Klawans
Walkouts, Payouts and Lockouts Walkouts, Payouts and Lockouts
Why the NFL's labor dispute should matter to you.
Feb 17, 2011 / Blog / Eric Alterman
The Upside of Censorship The Upside of Censorship
Sometimes the censor is art’s best friend.
Feb 17, 2011 / Books & the Arts / JoAnn Wypijewski
All Alter-Review Slacker Friday All Alter-Review Slacker Friday
Reviewing two shows in the Lincoln Center's "American Songbook" series, plus the Cowboy Junkies.
Feb 11, 2011 / Blog / Eric Alterman
The Dying Swan: On Jennifer Homans The Dying Swan: On Jennifer Homans
Jennifer Homans thinks ballet is dying, its masters dead and gone. But ballet, which exists in time and leaves no record, is always dying.
Feb 10, 2011 / Books & the Arts / Marina Harss
Amazement in Reverse: On Martin Creed and Gabriel Orozco Amazement in Reverse: On Martin Creed and Gabriel Orozco
Martin Creed and Gabriel Orozco reduce the artistic gesture to the smallest effective intervention into reality.
Feb 10, 2011 / Books & the Arts / Barry Schwabsky