The Long Goodbye: On Steven Soderbergh The Long Goodbye: On Steven Soderbergh
Hollywood’s wonkiest director hasn’t stopped working. He’s finding new problems to solve—and toying with us again.
Sep 10, 2013 / Books & the Arts / Akiva Gottlieb
Shelf Life Shelf Life
Robert Neer’s Napalm: An American Biography; Juliette Volcler’s Extremely Loud: Sound as a Weapon
Sep 10, 2013 / Books & the Arts / Peter C. Baker
Great Perturbations: On George Packer Great Perturbations: On George Packer
The Unwinding is a fine-grained account of economic collapse that runs aground on causeless abstractions.
Sep 10, 2013 / Books & the Arts / Chris Lehmann
Walter Mosley’s Alien Script Walter Mosley’s Alien Script
The author opens up about his latest art exhibition, magic, failure and unexpected success.
Sep 6, 2013 / Books & the Arts / Fatima Bhojani
Jester and Priest: On Leszek Kolakowski Jester and Priest: On Leszek Kolakowski
How the great Polish philosopher went from being an anticlerical scourge to an apostle of John Paul II.
Sep 4, 2013 / Books & the Arts / John Connelly
More of Less More of Less
Thomas Hirschhorn’s unmonumental monument to egalitarianism and Antonio Gramsci.
Sep 4, 2013 / Books & the Arts / Barry Schwabsky
Summer’s Fall: White House Down Summer’s Fall: White House Down
The happy ending to Hollywood’s summer: not guy gets girl but guy gets job.
Sep 4, 2013 / Books & the Arts / Joshua Clover
The Colonist of Good Will: On Albert Camus The Colonist of Good Will: On Albert Camus
Algerian Chronicles shows that Camus still has something to say to us—not about terrorism but economic justice.
Aug 27, 2013 / Books & the Arts / Thomas Meaney
Drawing the Line: Architects and Prisons Drawing the Line: Architects and Prisons
A call for architects to refuse to design chambers of living death.
Aug 27, 2013 / Books & the Arts / Michael Sorkin
Eating a Macintosh Apple Eating a Macintosh Apple
Eating a Macintosh apple she showed me her crumpled lips. And afterward she didn’t know what to do she couldn’t even discard that small mangled thing that more and more turned yellow in her hand. And daylight’s the time to get drunk when the body still waits for surprises from light and from rhythm, when it still has the energy to invent a disaster. (translated from the Italian by David Shapiro with Gini Alhadeff)
Aug 27, 2013 / Books & the Arts / Patrizia Cavalli