Arts and Entertainment

Fight Clubs: On Napoleon Chagnon

Fight Clubs: On Napoleon Chagnon Fight Clubs: On Napoleon Chagnon

One anthropologist’s place in his field’s ongoing battle over questions of power, means and ends.

May 15, 2013 / Books & the Arts / Peter C. Baker

Adler’s Way

Adler’s Way Adler’s Way

The slowly panic-making power of Renata Adler’s novels Speedboat and Pitch Dark.

May 15, 2013 / Books & the Arts / Alexandra Schwartz

At Brú na Bóinne At Brú na Bóinne

The tumulus—I thought it was a hill at first (trees grow out of one in Sulm)— entered into. It was a clear day, bright, the grass bounded by its hedgerows  too green all around and down,  the fields’ squares troubled only by the Boyne  that just about makes an island of this place snaking through. Sunbeams don’t snake, at least not visibly,  though 5,000 years have worked at the Earth’s orbit. Still  the light goes in, into the mound through holes one to a side that tunnel towards each other but don’t meet, the sun arriving on time every year unless it’s cloudy.                      But to do what? Wake the corpse.

May 15, 2013 / Books & the Arts / Elizabeth Arnold

Empire States: On Pankaj Mishra

Empire States: On Pankaj Mishra Empire States: On Pankaj Mishra

Why a passionate history of global alternatives to liberal capitalism becomes an exercise in nostalgia.

May 15, 2013 / Books & the Arts / Thomas Meaney

Ways of Rebelling Ways of Rebelling

Who needs to be at peace in the world? It helps to be between wars, to die a few times each day to understand your father’s sky, as you take it apart piece by piece and can’t feel anything, can’t feel the tree growing under your feet, the eyes poking night only to find another night to compare it to. Whoever heard of turning pain into hummingbirds or red birds—haven’t we grown? What does it mean to be older? Maybe a house without doors can still survive a storm. Maybe I can’t find the proper way to rebel or damn it, I can’t leave. I want to, but you grow inside of me. And as I watch you, before I know it, I’m too heavy, too full of you to move. Maybe that’s what they meant when they said you shouldn’t love a country too much.

May 15, 2013 / Books & the Arts / Nathalie Handal

Rome’s Cassandra: On George Weigel Rome’s Cassandra: On George Weigel

The neoconservative leading the fight over the legacy of Vatican II in the American Church.

May 15, 2013 / Books & the Arts / Paul Baumann

Suet Suet

It turns out I was killing the birds. I gave them what they wanted, what they craved: suet packed with seeds, hung swinging on the sycamore with chains. Suet brought the downy, the bellied, brought small clinging birds from the sadness of the woods. It fattened them. It readied them for winter. But with spring came the melting world: too rich, too much weakened their bones. And snapped them.                                              You were light as a whisper when you lay on me. I ran my fingers over your chest as though I were dressing you in air—the only clothes I would ever want on you. Still, the mockingbird wants it the most, diving at the other birds, driving them away, his gray black white reel of wings—so fierce, I can’t even take it back. I never knew he would be angry, this bird I’ve heard so much about, sung about in songs, the one I was supposed to buy my baby, the one who learned my baby’s cries.                                              There’s sun on the porch and I want you so bad I think I might die. I have hurt you  harder than anyone has ever. I don’t know what is right. I don’t know whose turn it is to beg, to cry, to be wronged, to be wanted. All I know is when you lay down on me, I felt no weight. And when you touched my breasts, they began to weep. And when I said I was sorry, sorry, I am so so sorry, you lowered your head to my chest and drank.

May 15, 2013 / Books & the Arts / Alison Stine

Deliriums and Descents

Deliriums and Descents Deliriums and Descents

In Metaphysical Dog, a poet continues his unending, obsessive arguments with himself.

May 15, 2013 / Books & the Arts / Robert Boyers

In Our Orbit

In Our Orbit In Our Orbit

Victor Navasky’s The Art of Controversy: Political Cartoons and their Enduring Power

May 15, 2013 / Books & the Arts / John Palattella

Why Does the Press Still Take the Heritage Foundation Seriously? Why Does the Press Still Take the Heritage Foundation Seriously?

The think tank has long since compromised its intellectual integrity, yet the media continue to trumpet flawed reports like the latest one on immigration reform.

May 10, 2013 / Blog / Eric Alterman and Reed Richardson

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