Barry Schwabsky

Art Critic

Barry Schwabsky is the art critic of The Nation.

Thomas Struth’s Post-Internet Art

Thomas Struth’s Post-Internet Art Thomas Struth’s Post-Internet Art

His pictures generate a perceptual confusion that might best represent where we stand with technology today.

Aug 23, 2016 / Books & the Arts / Barry Schwabsky

Nicole Eisenman’s Path to Genius

Nicole Eisenman’s Path to Genius Nicole Eisenman’s Path to Genius

In the early 2000s, the painter rediscovered a strain of modernism that doesn’t aspire to purity or certainty, but rather is willing to remain, as de Kooning once put it, “wrapped ...

Jul 14, 2016 / Books & the Arts / Barry Schwabsky

The Chameleon Painter

The Chameleon Painter The Chameleon Painter

Even in his most pared-down paintings, Philip Guston was digging for something new.

Jun 1, 2016 / Books & the Arts / Barry Schwabsky

Letters Icon

Letters From the June 6-13, 2016, Issue Letters From the June 6-13, 2016, Issue

The article, unfinished…

May 19, 2016 / Our Readers and Barry Schwabsky

Can an Unfinished Piece of Art Also Be Complete?

Can an Unfinished Piece of Art Also Be Complete? Can an Unfinished Piece of Art Also Be Complete?

An exhibit at the Met Breuer explores the differences between completing and finishing an artwork.

Apr 14, 2016 / Books & the Arts / Barry Schwabsky

A Critic’s Job of Work

A Critic’s Job of Work A Critic’s Job of Work

I don’t see my job as making or breaking an artist. I have other responsibilities toward art.

Mar 9, 2016 / Books & the Arts / Barry Schwabsky

A photography class in a cabbage patch at Black Mountain College.

The Weirdness and Joy of Black Mountain College The Weirdness and Joy of Black Mountain College

Can the art of teaching art be exhibited? No, but people keep trying.

Feb 24, 2016 / Books & the Arts / Barry Schwabsky

Lawrence Alloway at Oberlin College, Oberlin, Ohio, autumn 1965.

In Praise of Lawrence Alloway In Praise of Lawrence Alloway

The former Nation art critic was a great intellectual resource among art writers in the 1960s and ’70s, and a revival of his work is under way.

Feb 4, 2016 / Books & the Arts / Barry Schwabsky

Point First, Shoot Later

Point First, Shoot Later Point First, Shoot Later

Two museum exhibitions emphasize possible approaches to how an artist can navigate the oceans of photography around us.

Jan 21, 2016 / Books & the Arts / Barry Schwabsky

Burnt Umber & Ultramarine (1993), by Yun Hyong-keun.

It’s Time To Stop Ignoring South Korean Abstract Art It’s Time To Stop Ignoring South Korean Abstract Art

Korean monochrome painting, or tansaekhwa, originated in a deep ambivalence about painting.

Dec 17, 2015 / Books & the Arts / Barry Schwabsky

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