This Is How AIPAC Really Works This Is How AIPAC Really Works
An AIPAC and Capitol Hill veteran explains the lobby’s tactics of reward and retribution.
Feb 14, 2019 / M.J. Rosenberg
Julia Wolfe’s Haunting Elegy to the Triangle Shirtwaist Factory Julia Wolfe’s Haunting Elegy to the Triangle Shirtwaist Factory
A monumental achievement in high musical drama, Wolfe’s new piece Fire in my mouth is already one of the year’s best performances.
Feb 14, 2019 / David Hajdu
Love in the Time of Apartheid Love in the Time of Apartheid
For Palestinians like my fiancée and me, falling in love means scaling walls and defying occupation.
Feb 14, 2019 / Ahmad Abuznaid
Brexit Is Deadlocked as the Countdown Continues Brexit Is Deadlocked as the Countdown Continues
The UK Parliament is at an impasse, and both main parties are at risk of fracturing.
Feb 14, 2019 / Paul Mason
Childcare for All Belongs on the Progressive Agenda Childcare for All Belongs on the Progressive Agenda
Katha Pollitt on universal child care, plus David Klion on Bernie’s foreign policy adviser, and Antony Loewenstein on Afghanistan.
Feb 14, 2019 / Podcast / Start Making Sense and Jon Wiener
The Maddening, Baffling, Exhausting Endurance of Anti-Semitism The Maddening, Baffling, Exhausting Endurance of Anti-Semitism
In an age of conspiracy theories, what chance do we have against the oldest conspiracy theory of all?
Feb 13, 2019 / Talia Lavin
Immigration Agents Are Making Arrests In New York’s Courts Immigration Agents Are Making Arrests In New York’s Courts
These arrests have jumped about 17-fold over two years.
Feb 13, 2019 / Michelle Chen
The Myth of Nationalism Is the Scariest Thing of All The Myth of Nationalism Is the Scariest Thing of All
Sarah Moss’s haunting new novel Ghost Wall looks at the evil that lurks behind the stories we tell ourselves about borders and ancestral origins.
Feb 13, 2019 / Emma Hager
Hearing the Trauma You Can’t See Hearing the Trauma You Can’t See
Kevin Beasley’s new Whitney show, built around a massive, whirring cotton-gin motor, argues for a new way to listen to the horror and beauty of history.
Feb 13, 2019 / Tiana Reid