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Now, Gods, Stand Up for Fakers!

Thank God for fakers! Matchless as deflaters of human and institutional pretension, they furnish us rich measures of malicious glee at the red-faced victims.

Alexander Cockburn

May 22, 2003

Thank God for fakers! Matchless as deflaters of human and institutional pretension, they furnish us rich measures of malicious glee at the red-faced victims. Pause here to honor Konrad Kujau, whose forged Hitler diaries burst upon the world twenty years ago, fooling the editors of Stern, and of Newsweek.

Kujau churned out the diaries in longhand in the back of his shop in Stuttgart, slopping tea over the pages to lend the requisite touch of antiquity, spurring his weary imagination to such daily entries as “Meet all the leaders of the Storm Troopers in Bavaria, give them medals…. Must not forget tickets for the Olympic Games for Eva…. Because of the new pills I have violent flatulence, and–says Eva–bad breath.”

Kujau never did get his Gothic lettering right and used the initials F.H. instead of A.H. It didn’t make any difference. Stern‘s experts pronounced them genuine and so, to his lifelong embarrassment, did the late Lord Dacre, a k a Hugh Trevor-Roper, who, as the designated expert hired by Rupert Murdoch’s London Sunday Times, gave them his scholarly endorsement.

Faker du jour is Jayson Blair, the disgraced New York Times reporter. I give him an F for lack of ambition in the faker’s arts. He exhibited the caution of the tyro: a faked quote here, an imagined description there, a paragraph or two of sedate plagiarism. In its heyday, half a century ago, Time magazine reinvented the world in a weird elliptical style. Blair’s timid inventions are testimony to the banality of today’s journalese, by which our own Gothic world is tamed in the interests of corporate capital on a daily basis.

Circumspectly ambitious as only a Times-man can be, Blair served just the sort of fare that would please his bosses, not least the Times‘s executive editor, Howell Raines. Blair’s finest hour, fabricating background and unattributed quotes from cops and prosecutors amid the media maelstrom after the arrest of the Washington snipers, came, I hear, because Raines sent him down from New York, hoping that scoops from Blair would upstage the Times‘s Washington bureau and thus advance Raines’s intrigue to replace its current chief with one of his own toadies. Blair obediently rose to the occasion.

How Blair must be chafing at the unfairness of it all! Why him? He makes up a few blind quotes from high-level FBI officials and prosecutors, and the skies fall in. He even has to endure the indignity of having William Safire, unindicted besmircher of a thousand reputations, pontificating about journalistic integrity. Where are the whole special supplements of the New York Times that would be required to apologize for its baseless insinuations against Wen Ho Lee (a Jeff Gerth special, written with James Risen and abetted by William Safire), or against the Clintons for their real estate dealings in Whitewater (another Jeff Gerth special)?

The Times went overboard with its four pages on Blair’s deceptions, but the overkill, as no doubt publisher Arthur Sulzberger and Raines knew, has played to their paper’s long-term advantage. The more voluminous the sackcloth, the more nobly impressive the sinner, and the profuse deployment of sackcloth and ashes serves, albeit on a grander scale, the same function as the daily Corrections box, which notes minor errors. The unstated implication with these corrections is that everything else that appeared in those editions of the Times was true.

There’s been a campaign to get Walter Duranty’s Pulitzer rescinded, for obscuring Stalin’s crimes, a move I oppose because such a rescission would have the same effect as that Corrections box, insinuating that all other Pulitzers are deserved. I do make an exception in the case of Thomas Friedman, whose three Pulitzers do have the utility of reminding us that he’s at least three times more of a blowhard than any other pundit in the field.

It’s not the first time the paper has opted for overkill. I remember a Times editorial back in 1982, commenting on what began with my own exposé of Christopher Jones, who had written an article in The New York Times Magazine about a visit to Cambodia during which he claimed to have seen Pol Pot through binoculars.

In this same piece Jones made the mistake of lifting an entire paragraph from André Malraux’s novel La Voie Royale. I pointed this out in my column in the Village Voice, adding the obvious point that Jones’s binoculars must have been extremely powerful to have allowed him to recognize Pol Pot, let alone describe his eyes as “dead and stony.” My item stirred the Washington Post to point an accusing finger. Then the Times itself unleashed a huge investigation of the wretched Jones and ran a pompous editorial proclaiming that “it may not be too much to say that, ultimately, it debases democracy.”

I remember thinking at the time that as a democracy debaser, Jones looked like pretty small potatoes. Back then we were in the early days of the Reagan Administration, and the Times was trimming its sails just as it had been since the fall of Nixon, when its proprietor, Punch Sulzberger, like other big newspaper moguls such as the late Katharine Graham, had decided that excessively frank reporting of political realities was not the business of the Fourth Estate.

I write this column on May 21, a day, like so many other days, when I turn to the front page of the Times and find yet one more article by Judith Miller on the search for weapons of mass destruction in Iraq. The words “official” and “officials” are used nineteen times, only once with an actual name attached. There are military officials, intelligence officials, White House officials, but never a human actually identified by Miller.

On the one hand we have Blair, a humble toiler in the Times vineyard, now branded as the great traducer; on the other, Miller, who, as I pointed out here a month ago, has been a major, interested player in one of the greatest disgraces in the history of American journalism–to wit, its complicity in the fomenting of pretexts to invade Iraq. Blair’s problem was that he didn’t quite figure out the rules of the faking game.

Alexander CockburnAlexander Cockburn, The Nation's "Beat the Devil" columnist and one of America's best-known radical journalists, was born in Scotland and grew up in Ireland. He graduated from Oxford in 1963 with a degree in English literature and language. After two years as an editor at the Times Literary Supplement, he worked at the New Left Review and The New Statesman, and co-edited two Penguin volumes, on trade unions and on the student movement. A permanent resident of the United States since 1973, Cockburn wrote for many years for The Village Voice about the press and politics. Since then he has contributed to many publications including The New York Review of Books, Harper's Magazine, The Atlantic Monthly and the Wall Street Journal (where he had a regular column from 1980 to 1990), as well as alternative publications such as In These Times and the Anderson Valley Advertiser.

He has written "Beat the Devil" since 1984.

He is co-editor, with Jeffrey St Clair, of the newsletter and radical website CounterPunch(http://www.counterpunch.org) which have a substantial world audience. In 1987 he published a best-selling collection of essays, Corruptions of Empire, and two years later co-wrote, with Susanna Hecht, The Fate of the Forest: Developers, Destroyers, and Defenders of the Amazon (both Verso). In 1995 Verso also published his diary of the late 80s, early 90s and the fall of Communism, The Golden Age Is In Us. With Ken Silverstein he wrote Washington Babylon; with Jeffrey St. Clair he has written or coedited several books including: Whiteout, The CIA, Drugs and the Press; The Politics of Anti-Semitism; Imperial Crusades; Al Gore, A User's Manual; Five Days That Shook the World; and A Dime's Worth of Difference, about the two-party system in America.    


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