Podcast / The Nation Podcast / Apr 21, 2025

John Ganz on the Books of Donald Trump

On this episode of The Nation Podcast, John Ganz on the president’s Trump’s ghostwritten canon.

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Here's where to find podcasts from The Nation. Political talk without the boring parts, featuring the writers, activists and artists who shape the news, from a progressive perspective.

John Ganz on The Books of Donald Trump | The Nation Podcast
byThe Nation Magazine

On this episode of The Nation Podcast, D.D. Guttenplan and John Ganz discuss the hype, hustle, and collapse embedded in Trump’s ghostwritten canon. "Dog Eat Dog," Ganz's review of Trump's three books, is in the May issue of The Nation.

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Donald Trump, signing his book “The Art of the Deal”

(Rick Maiman / Sygma via Getty Images)

On this episode of The Nation Podcast, we’re joined by John Ganz to discuss the hype, hustle, and collapse embedded in Trump’s ghostwritten canon. “Dog Eat Dog,” Ganz’s review of Trump’s three books, is in the May issue of The Nation.

Subscribe to The Nation to support all of our podcasts: thenation.com/podcastsubscribe.

The Nation Podcasts
The Nation Podcasts

Here's where to find podcasts from The Nation. Political talk without the boring parts, featuring the writers, activists and artists who shape the news, from a progressive perspective.

The Transformation of the New York Waterfront w/ Karrie Jacobs | The Nation Podcast
byThe Nation Magazine

In its heyday, the Bush Terminal industrial complex spanned several city blocks along Brooklyn’s waterfront and employed more than 35,000 people. Built by Irving Bush in the late nineteenth century, it was an "early intermodal shipping hub." Goods arrived by water and left by rail. Bananas, coffee, and cotton came in through doors on one side of the warehouses and were loaded onto trains on the other.

But after World War II, as trucks replaced rail and shipping patterns changed, the Terminal’s purpose faded and the vast complex slipped into disuse.

Today, Bush Terminal is again at the center of New York’s vision for urban reinvention— and a debate around development, displacement, and the future of work in the city.

Joining us on a deep dive into Bush Terminal is veteran architecture critic and writer Karrie Jacobs. Her essayOn the Waterfront,” appears in our December issue of the Nation.

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With the midterm elections now firmly upon us, the question is whether Democratic candidates will do more than merely occupy ballot lines as mild alternatives to the red-hot crisis that is Donald Trump.

As Trump spends over $1 billion a day on a globally destabilizing war on Iran and admits that he doesn’t “think about Americans’ financial situation,” millions across the country are struggling with the surging costs of essentials. Democrats must seize this moment and advance bold, small-“d” populist ideas—not settle for cynical caution that once again snatches defeat from the jaws of victory.

The Nation elevates progressive ideas, movements, and elected officials achieving real change across the country into the national conversation. At the same time, our journalists are exposing how crypto and AI-funded super PACs are spending hundreds of millions of dollars to knock out candidates they oppose, reporting on the devastating impact of the Supreme Court’s evisceration of the Voting Rights Act, and sounding the alarm on attempts by red states to quickly redraw electoral maps, disenfranchising Southern Black voters.

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Onward,

Katrina vanden Heuvel
Editor and Publisher, The Nation

D.D. Guttenplan

D.D. Guttenplan is a special correspondent for The Nation and the former host of The Nation Podcast. He served as editor of the magazine from 2019 to 2025 and, prior to that, as an editor at large and London correspondent. His books include American Radical: The Life and Times of I.F. Stone, The Nation: A Biography, and The Next Republic: The Rise of a New Radical Majority.

John Ganz

Nation columnist John Ganz is the New York Times best-selling author of When the Clock Broke: Con Men, Conspiracists, and How America Cracked Up in the Early 1990s. He writes the Unpopular Front newsletter on Substack, and his work has appeared in The Washington Post, Harper's Magazine, Artforum, the New Statesman, and other publications.

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