Evicted From His Own Head
Elaine Blair : Russia
In the stories of Sigizmund Krzhizhanovsky, the landscape of the Russian revolution is hostile territory, and terrifying in its scope.
Elaine Blair : Russia
In the stories of Sigizmund Krzhizhanovsky, the landscape of the Russian revolution is hostile territory, and terrifying in its scope.
Ange Mlinko : Lingo
In an information economy, tiny asymmetries in language comprehension translate into vast profits--and large-scale collapses.
Charles Taylor
With his plain, weather-beaten prose, Don Carpenter was a good enough novelist not to have to prove it.

William Deresiewicz
Technology has made us capable of exterminating ourselves. In The Year of the Flood, Margaret Atwood wonders what might save us.
Phoebe Connelly : The Short of It
Jean Rhys wrote about women who tangled with class and sexuality on their own terms.
Richard Lingeman : Ralph Nader
In Ralph Nader's new utopian novel, "only the super-rich can save us."

Christine Smallwood
A conversation with the author of Homer and Langley about opting out.

Natasha Wimmer
Mercè Rodoreda's fiction plumbs a sadness borne of helplessness, an almost voluptuous vulnerability.
Rachel Aviv
Novelist Clarice Lispector idealized animals and idiots because they were free of the desire to translate experience into words.

William Deresiewicz
Will narrowed on a single object and fixed in the face of adversity--such is the recurring story of Gabriel García Márquez's work and life.

Joanna Scott
A reconsideration of the fictive truths behind a storyteller's many masks.


Marcela Valdes : Chile
Does Alejandro Zambra's Bonsai mark the end of an era in Chilean literature?
Charles Taylor : The Short of It
Over a decade ago, in his novel The Ax, Donald E. Westlake captured the ruthlessness and anomie of economic Darwinism.
Lorna Scott Fox
News From the Empire hacks out a sinuous, branching path that connects fantasy with fact and allegory with analysis.
Natasha Wimmer
Set in the glossiest of sanctuaries, Rex is a complicated and dazzling indictment of contemporary fiction.

Jana Prikryl
How did Milan Kundera's antipathy toward the media become as curdled as the Czechs' allergy to his success?
