Cover art by: Cover photo by Reuters/Carlo Allegri, design by Milton Glaser Incorporated
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He began his career singing about cars and girls before moving on to empty factories and abandoned quarries—and now, with Wrecking Ball, the depredations of Wall Street.
It’s now the only governing institution that understands the depths of the economic crisis.
A new campaign unites caregivers and care-receivers with a revolutionary vision.
Covert operations have now assumed a dominant—and destructive—role in US foreign policy.
Death of a Salesman speaks to our time on the failure of competitive capitalism.
It is a painfully awkward dance for a party more accustomed to trampling on women’s rights.
A GOP win in November would move the most conservative bench in history even further to the right.
The Supreme Court—as well as the Obama administration—upholds the right of the world’s biggest jailer to strip everyone who comes into its grasp.
If their fortunes are ever to revive, liberals must find a way to recapture FDR’s militant and optimistic spirit.
As in a Rorschach test, people see in him what they want to see. Why don’t we look at his record?
Geoffrey Brock’s anthology of twentieth-century Italian poetry offers the risk of a counter-eloquence.
Adrienne Rich, 1929–2012
Norman Davies’s Vanished Kingdoms.
Varamo is the latest novel-in-translation from Argentina’s slipperiest living writer.
Feedback on the April 2 Occupy USA issue and Barbara Ehrenreich’s “Rediscovering Poverty.”
Keep up with Kosman and Picciotto’s crossword blog, Word Salad.