Culture

License to Kill License to Kill

The closest thing you get to a dull moment in Michael Moore's latest picture, Bowling for Columbine, is an interview with Marilyn Manson.

Oct 10, 2002 / Books & the Arts / Stuart Klawans

Raceball in Boston Raceball in Boston

Any fan who over the years has attended a baseball game at Boston's Fenway Park notices how few African-Americans are in the stands.

Oct 10, 2002 / Books & the Arts / Louis P. Masur

Racism: Coded as Culture? Racism: Coded as Culture?

This book makes a good case for racism--the word, not the ideology. What necessitated a defense?

Oct 10, 2002 / Books & the Arts / Paul Reitter

Graham Greene, Roll Over Graham Greene, Roll Over

A few months ago, novelist Alan Furst, in one of those New York Times "Writers on Writing" pieces, told how, on a magazine assignment to the Soviet Union back in 1983, he sudde...

Oct 3, 2002 / Books & the Arts / Peter Schrag

Emancipation Proclamation Emancipation Proclamation

Although he does not record CDs, Robin Kelley may well be the hippest intellectual in the land. There is plenty of substance to ground the style.

Oct 3, 2002 / Books & the Arts / Jason Sokol

Of Jazz and Brave Ulysses Of Jazz and Brave Ulysses

Near the end of Jazz Modernism, Alfred Appel Jr.

Oct 3, 2002 / Books & the Arts / David Yaffe

Rethinking the Second Wave Rethinking the Second Wave

A few years ago, an intellectual historian uncovered the story of Betty Friedan's formative years as a Popular Front journalist and activist in the 1940s.

Sep 25, 2002 / Books & the Arts / Nancy MacLean

Haunted Hermitage Haunted Hermitage

While going about their business, great artists often make monkeys of the people who write about them.

Sep 25, 2002 / Books & the Arts / Stuart Klawans

Sense and Sexibility Sense and Sexibility

In 1967 the world-renowned if somewhat Dickensianly named sexologist John Money was offered a case he couldn't refuse.

Sep 25, 2002 / Books & the Arts / Keith Gessen

High Noon: The Rewrite High Noon: The Rewrite

On September 17, PBS aired Darkness at High Noon: The Carl Foreman Documents. On the surface, this documentary is a posthumous homage to a worthy blacklisted screenwriter.

Sep 19, 2002 / Books & the Arts / Ed Rampell

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