White Teeth White Teeth
Norman Rush's first novel, Mating (1991), opens with a nervous but gripping epigram: "In Africa, you want more, I think." The speaker, an unnamed American anthropologist who do...
Jun 26, 2003 / Books & the Arts / Michael Wood
Secrets and Lies Secrets and Lies
You would hope that the passage of fifty years might have cleared the passions that once inflamed the Rosenberg case.
Jun 26, 2003 / Books & the Arts / Philip Weiss
The Everything Expert The Everything Expert
Toward the end of his memoir, My Brother's Keeper, Amitai Etzioni recounts meeting with the political consultant Dick Morris.
Jun 26, 2003 / Books & the Arts / Robert S. Boynton
Candid Camera Candid Camera
I have often been asked the difference between movie reviews and film criticism; and after much thought, I've decided the answer is about one week.
Jun 19, 2003 / Books & the Arts / Stuart Klawans
Playing the Field Playing the Field
"In society the homosexual's life must be discreetly concealed. As material for drama, that life must be even more intensely concealed.
Jun 19, 2003 / Books & the Arts / David Kaufman
The Empire Strikes Back The Empire Strikes Back
A few years in Washington, DC, snake-oil capital of the universe, and you begin to think that anything can be packaged as something else. Well, almost anything.
Jun 19, 2003 / Books & the Arts / Anatol Lieven
Bob Hope, Prisoner of War Bob Hope, Prisoner of War
War correspondents frequently suffer from what might be diagnosed as Ernie Pyle Syndrome.
Jun 12, 2003 / Books & the Arts / Francis Davis
Passport: A Manifesto Passport: A Manifesto
This is your passport I hold in my hand: a hemisphere, half red ink, half blue-- as yet untorched by terror, but polluted
Jun 12, 2003 / Books & the Arts / Carol Muske-Dukes
The Critical Imagination The Critical Imagination
James Wood, the ferociously intelligent critic whose reviews appear regularly in The New Republic and the London Review of Books, has single-handedly done a great deal to impro...
Jun 12, 2003 / Books & the Arts / Brian Morton
The Last Mogul The Last Mogul
Lew Wasserman, who died last summer at 89, was not only the most powerful and influential man in Hollywood over the past half-century but also the most enigmatic.
Jun 12, 2003 / Books & the Arts / Thomas Schatz