The Strange Thrills of “The Crown” The Strange Thrills of “The Crown”
While the infighting and personal lives of the British royals is boring, their desperate struggle to protect the monarchy makes for fine television.
Jan 23, 2023 / Books & the Arts / Gary Younge
The Tragedy of Ukraine The Tragedy of Ukraine
What classical Greek tragedy can teach us about conflict.
Jan 20, 2023 / Nicolai N. Petro
The Failures of the January 6 Report The Failures of the January 6 Report
Historian Jill Lepore’s effective critique in The New Yorker is marred by a lazy counternarrative.
Jan 13, 2023 / Jeet Heer
Norman Fruchter Was a Giant in the Fight for Education Equity Norman Fruchter Was a Giant in the Fight for Education Equity
Fruchter, who passed away recently, was also a key figure in the New Left on both sides of the Atlantic.
Jan 13, 2023 / Obituary / Alix Kates Shulman
Babylon, Streaming Residuals, and the Boss’s Hollywood Babylon, Streaming Residuals, and the Boss’s Hollywood
A pending showdown with Hollywood unions might kill nostalgia for the golden age of film moguldom.
Jan 13, 2023 / Ben Schwartz
The Honesty of “Atlanta” The Honesty of “Atlanta”
After four seasons, Donald Glover’s television show leaves behind a fascinating and complicated legacy.
Jan 12, 2023 / Books & the Arts / Vikram Murthi
“The New Yorker” Goes All In on Our Precious Bodily Fluids “The New Yorker” Goes All In on Our Precious Bodily Fluids
Or, how I learned to stop worrying and love the virus.
Jan 11, 2023 / Gregg Gonsalves
The Butler Didn’t Do It! On Rian Johnson’s “Glass Onion” The Butler Didn’t Do It! On Rian Johnson’s “Glass Onion”
While Knives Out was a brilliant inversion of the class politics of an Agatha Christie whodunit, the sequel wants to have it both ways.
Dec 29, 2022 / Ethan Iverson
The Best Albums of 2022 The Best Albums of 2022
David Hajdu’s favorite albums encompass everything from Bad Bunny to English metal to Afrobeat.
Dec 29, 2022 / Books & the Arts / David Hajdu
Jerzy Skolimowski’s Wild and Kinetic EO Jerzy Skolimowski’s Wild and Kinetic EO
If Au Hasard Balthazar is austere and precise, EO is excessive and elusive.
Dec 28, 2022 / Books & the Arts / J. Hoberman