High Noon: The Rewrite High Noon: The Rewrite
On September 17, PBS aired Darkness at High Noon: The Carl Foreman Documents. On the surface, this documentary is a posthumous homage to a worthy blacklisted screenwriter.
Sep 19, 2002 / Books & the Arts / Ed Rampell
Chile Reception Chile Reception
Walking at a good New Yorker's clip, you would need about fifteen minutes to go between Film Forum and the World Trade Center site: a straight shot down Varick Street from thre...
Sep 12, 2002 / Books & the Arts / Stuart Klawans
The Art of 9/11 The Art of 9/11
Mama, build me a fence!
Sep 5, 2002 / Books & the Arts / Arthur C. Danto
Mourning and Modernism After 9/11 Mourning and Modernism After 9/11
Can function follow form?
Sep 5, 2002 / Books & the Arts / Casey Nelson Blake
A Green Ground Zero A Green Ground Zero
The debate over how to redevelop the World Trade Center site has revolved around several key concerns: the commercial interests of the real estate industry, the public's desire...
Sep 5, 2002 / Books & the Arts / Amanda Griscom and Will Dana
Map to Ground Zero Map to Ground Zero
The footprints of clashing interests.
Sep 5, 2002 / Books & the Arts / Philip Nobel
Auteur, Auteur! Auteur, Auteur!
The streets of lower Manhattan are deserted--also spotlessly clean and glowing in the light of the golden hour--when the studio head takes the movie director outside to tell hi...
Aug 29, 2002 / Books & the Arts / Stuart Klawans
The Mayor of My Hometown The Mayor of My Hometown
It's only August, but I'll go out on a limb and congratulate the Village Voice's Keith Harris for what I feel confident will stand the test of time as the stupidest comment of ...
Aug 15, 2002 / Books & the Arts / Eric Alterman
Scene of the Crime Scene of the Crime
Bob Dylan at Newport
Aug 15, 2002 / Books & the Arts / Gene Santoro
The Play’s the Thing The Play’s the Thing
Like life itself, good movies sometimes change the subject on you in midparagraph. You think you're watching the story of an elderly man in mourning, buoying himself up against gr...
Aug 15, 2002 / Books & the Arts / Stuart Klawans