Suga Mama, Politicized Suga Mama, Politicized
Beyoncé Knowles's sexed-up club jam B'Day is also an odd, urgent, dissonant and disruptive personal and political statement.
Nov 30, 2006 / Books & the Arts / Daphne A. Brooks
Unhappy Meal Unhappy Meal
Nov 30, 2006 / Books & the Arts / Stuart Klawans
Mad Mel and the Maya Mad Mel and the Maya
Mel Gibson's violent new film Apocalypto exploits Maya culture and perpetuates racist stereotypes.
Nov 30, 2006 / Books & the Arts / Earl Shorris
The Day the Music Died The Day the Music Died
It's the end of the world as we know it: Tower Records, the last great CD emporium, is closing, victim of the iPod and MP3 revolution. As Wal-Mart and other big-box stores pick up ...
Nov 27, 2006 / Books & the Arts / Max Fraser
The Lessons of History The Lessons of History
While there may be something great about winning a war, the United States must learn there is something much greater about using the tools of peacemaking to build a better world.
Nov 17, 2006 / Books & the Arts / John Hope Franklin
Hooray for Right-Wing Hollywood Hooray for Right-Wing Hollywood
Right-wing culture warriors gathered in LA to praise ABC for its flawed 9/11 docudrama, talk up a conservative version of The Daily Show and release a thriller fueled by a nativist...
Nov 16, 2006 / Books & the Arts / Max Blumenthal
Coming to America! Coming to America!
Reviews of films from the vulgar to the magisterial: Borat, Flags of Our Fathers, For Your Consideration, Our Daily Bread and Fur.
Nov 16, 2006 / Books & the Arts / Stuart Klawans
Representative Fictions Representative Fictions
An ambitious two-volume history of the novel explores its evolution across continents and centuries.
Nov 16, 2006 / Books & the Arts / William Deresiewicz
The Body in Pain The Body in Pain
Fernando Botero's latest series of paintings, inspired by the Abu Ghraib photos, immerse us in the experience of suffering in a way the original photographs never did.
Nov 9, 2006 / Books & the Arts / Arthur C. Danto
The Tracks of My Tears The Tracks of My Tears
Penelope Cruz shines in Pedro Almodóvar's Volver; James Longley's Iraq in Fragments is a repository of small truths.
Nov 6, 2006 / Books & the Arts / Stuart Klawans