Joss Whedon and the Pop Culture Canon Joss Whedon and the Pop Culture Canon
Much Ado About Nothing is great! Does it matter that its appeal depends on being a Whedon nerd?
Jun 14, 2013 / Books & the Arts / Michelle Dean
Rage and Ruin: On the Black Panthers Rage and Ruin: On the Black Panthers
A new history of the party is too close to its subject, and misses the human drama.
Jun 5, 2013 / Books & the Arts / Steve Wasserman
Transient States: On Mary Cassatt Transient States: On Mary Cassatt
In her printmaking the artist searched for a constantly elusive vision.
Jun 5, 2013 / Books & the Arts / Barry Schwabsky
Dirtying White Dirtying White
Why does Benn Steil’s history of Bretton Woods distort the ideas of Harry Dexter White?
Jun 5, 2013 / Books & the Arts / James M. Boughton
White Wigs, Black Masks: On Surveillance Pop White Wigs, Black Masks: On Surveillance Pop
The cameras no longer look at us because we’re famous; we’re famous because they look at us to death.
Jun 5, 2013 / Books & the Arts / Joshua Clover
Hitler’s Classical Architect Hitler’s Classical Architect
Why is Léon Krier defending anew the work of the Third Reich’s master builder?
May 21, 2013 / Books & the Arts / Michael Sorkin
Shelf Life Shelf Life
Ralph Lemon’s Come Home Charley Patton
May 21, 2013 / Books & the Arts / Marina Harss
Attacks From Within: On Janet Malcolm Attacks From Within: On Janet Malcolm
The war between democracy and aristocracy in Janet Malcolm’s Forty-One False Starts.
May 21, 2013 / Books & the Arts / Mark Oppenheimer
Flappers and Philosophers Flappers and Philosophers
Baz Luhrmann’s The Great Gatsby, Richard Linklater’s Before Midnight
May 21, 2013 / Books & the Arts / Stuart Klawans
This Week in ‘Nation’ History: Reviewers Have Argued About ‘Gatsby’ Since 1925 This Week in ‘Nation’ History: Reviewers Have Argued About ‘Gatsby’ Since 1925
The debate surrounding Baz Luhrmann’s film adaptation is nothing new.
May 18, 2013 / Books & the Arts / Katrina vanden Heuvel