How Spotify Remade the Music Industry
On this episode of Tech Won’t Save Us, Liz Pelly on the music streaming service.
The Nation Podcasts
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Stinking and Miserable: Clio Chang on Cheryl Strayed’s Wild | Reading Writers
In a scandalous rejection of holiday spirit, Jo and Charlotte reflect on the dark, elegant pleasures of Gabrielle Wittkopf’s The Necrophiliac alongside contemporary novel conventions as deployed in Rebecca Novack’s Murder Bimbo. The hosts are then joined by dear friend Clio Chang, who outlines the timeless, charming, annoying allure of Cheryl Strayed’s hit memoir Wild (2012).
Also discussed in this episode: Charlotte Roche’s Wetlands, Gillian Flynn’s Gone Girl, and Lillian Fishman’s Acts of Service.
Clio Chang is a staff writer at Curbed who can do three pullups.
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Charlotte Shane’s most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.
Jo Livingstone is a writer who teaches at Pratt Institute.
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On this episode of Tech Won’t Save Us, we’re joined by Liz Pelly to discuss how Spotify changes how we listen to music and the broader impacts it has on the wider music industry. Liz Pelly is a music journalist and the author of Mood Machine.
The Nation Podcasts
Here's where to find podcasts from The Nation. Political talk without the boring parts, featuring the writers, activists and artists who shape the news, from a progressive perspective.
How Effective is Australia’s Social Media Age Limit? w/ Cam Wilson | Tech Won’t Save Us
Paris Marx is joined by Cam Wilson to discuss the new social media age limit in Australia, including how successful the rollout has been so far and the missed opportunities of taking a more nuanced regulatory approach.
Cam Wilson is an associate editor at Crikey and writes The Sizzle newsletter. He’s a co-author of Conspiracy Nation: Exposing the Dangerous World of Australian Conspiracy Theories.
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