Podcast / The Time of Monsters / Oct 12, 2025

Revolutionary Violence and One Battle After Another.

Revolutionary Violence and “One Battle After Another”

On this episode of The Time of Monsters: David Klion on the historical resonance of Paul Thomas Anderson’s new movie.

The Time of Monsters with Jeet Heer
The Time of Monsters with Jeet Heer

The Time of Monsters podcast features Nation national-affairs correspondent Jeet Heer’s signature blend of political culture and cultural politics. Each week, he’ll host in-depth conversations with urgent voices on the most pressing issues of our time.

Revolutionary Violence and One Battle After Another w/ David Klion
byThe Nation Company LLC

Few movies have ever been as timely as Paul Thomas Anderson’s latest film One Battle After

Another, which traces the battle between revolutionary resistance groups trying to protect

immigrants and an authoritarian government run by racists. There are scenes from the movie

that feel like they are being played out right now on the streets of Chicago, Los Angeles and

Portland. Although it presents a stylized version of reality, the film raises important questions

about different strategies of resistance. David Klion, a frequent guest, wrote about the movie

for The New Republic. David and I talked about the film, its roots in actual history but also

variance with that history as well as its relationship with the Thomas Pynchon novel Vineland.

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Fans cheer at an event for the movie "One Battle After Another" on September 18, 2025, in Naucalpan de Juarez, Mexico.

Fans cheer at an event for the movie One Battle After Another on September 18, 2025, in Naucalpan de Juarez, Mexico.

Few movies have ever been as timely as Paul Thomas Anderson’s latest, One Battle After Another, which traces the battle between revolutionary resistance groups trying to protect immigrants and an authoritarian government run by racists. There are scenes from the movie that feel like they are being played out right now on the streets of Chicago, Los Angeles, and Portland. Although it presents a stylized version of reality, the film raises important questions about different strategies of resistance. David Klion, a frequent guest, wrote about the movie for The New Republic. David and I talked about the film, its roots in actual history but also variance with that history, as well as its relationship with the Thomas Pynchon novel Vineland.

Subscribe to The Nation to support all of our podcasts: thenation.com/podcastsubscribe.

The Time of Monsters with Jeet Heer
The Time of Monsters with Jeet Heer

The Time of Monsters podcast features Nation national-affairs correspondent Jeet Heer’s signature blend of political culture and cultural politics. Each week, he’ll host in-depth conversations with urgent voices on the most pressing issues of our time.

Jeffrey Epstein and the American Empire w/ Van Jackson
byThe Nation Company LLC

The scandal around Jeffrey Epstein, who trafficked and abused children and died in a prison cell

in 2019, has never gone away. It continues to explode now that House Democrats have

released thousands of emails from Epstein and his cronies. But while the political class and

mainstream media are understandably focused on the sex scandal, another dimension of the

scandal goes uncovered except by independent media outlets such as Drop Site: Epstein’s deep

ties to the national security state. I talked to international relations scholar Van Jackson about

this crucial part of the story.

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Subscribe to The Nation to Support all of our podcasts

Jeet Heer

Jeet Heer is a national affairs correspondent for The Nation and host of the weekly Nation podcast, The Time of Monsters. He also pens the monthly column “Morbid Symptoms.” The author of In Love with Art: Francoise Mouly’s Adventures in Comics with Art Spiegelman (2013) and Sweet Lechery: Reviews, Essays and Profiles (2014), Heer has written for numerous publications, including The New Yorker, The Paris Review, Virginia Quarterly Review, The American Prospect, The GuardianThe New Republic, and The Boston Globe.

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