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The Nation asked six politically active members of the entertainment community to comment on recent developments in the realms of politics and popular culture.
It’s true–and a cliché–that Hollywood films hold up a mirror to American society. It’s equally true–and equally a cliché–that Hollywood films fail to reflect American society.
The contracts are signed, the treatment is being written and Fox Television plans to fast-track production on a ten- to twelve-hour miniseries based on lefty historian Howard Zinn’s A People’sTom Gogola
As the limos and their glitterati cargo pull up to the Oscars ceremony this year, they may have to share a bit of screen time with a band of angry picketers.
When those in my modest circle of acquaintances learned that I was editing a Hollywood issue of The Nation, they found it either risible or irritating.
“I am it.”
On January 11 Joseph Ha, a Nike vice president, sent what he thought was a confidential letter to Cu Thi Hau, Vietnam’s highest-ranking labor official.
In the run-up to Sunday’s Oscar ceremony the focus was on Elia Kazan and whether the Motion Picture Academy was doing the right thing by honoring him with a Lifetime Achievement Award (see page 5
Elizabeth Dole is all perfection.
She shoots one take, without exception.
She drives her staff so no step’s spared
To get an ad-libbed speech prepared.
Given the late Dalton Trumbo’s various claims to verbal fame–highest-paid screenwriter of his day, most vocal member of the Hollywood Ten, polemicist extraordinaire, winner under the pseudonDalton Trumbo and Murray Kempton
The inevitable controversy–presenting name-naming film director Elia Kazan with a Lifetime Achievement Award–has unfolded like an accident waiting to happen, aggravating the Academy of Motion
My friend Dennis Paoli says there are two kinds of horror movies, and since his screenwriting credits include Re-Animator, I treat his categories with respect.