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Feature
On Movies, Money & Politics
The Nation asked six politically active members of the entertainment community to comment on recent developments in the realms of politics and popular culture.
Peter Biskind
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American Graffiti
It’s true–and a cliché–that Hollywood films hold up a mirror to American society. It’s equally true–and equally a cliché–that Hollywood films fail to reflect American society.
Susie Linfield
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Red Fox?
The contracts are signed, the treatment is being written and Fox Television plans to fast-track production on a ten- to twelve-hour miniseries based on lefty historian Howard Zinn’s A People’s
Tom Gogola
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Postcards From the Left
As the limos and their glitterati cargo pull up to the Oscars ceremony this year, they may have to share a bit of screen time with a band of angry picketers.
Marc Cooper
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When Worlds Collide
When those in my modest circle of acquaintances learned that I was editing a Hollywood issue of The Nation, they found it either risible or irritating.
Peter Biskind
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Editorial
A Nike Sneak
On January 11 Joseph Ha, a Nike vice president, sent what he thought was a confidential letter to Cu Thi Hau, Vietnam’s highest-ranking labor official.
Eyal Press
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The Forgotten Oscar
In the run-up to Sunday’s Oscar ceremony the focus was on Elia Kazan and whether the Motion Picture Academy was doing the right thing by honoring him with a Lifetime Achievement Award (see page 5
Victor Navasky
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Column
Enter Mrs. Dole
Elizabeth Dole is all perfection.
She shoots one take, without exception.
She drives her staff so no step’s spared
To get an ad-libbed speech prepared.Calvin Trillin
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Books & the Arts
Part of Our Time, Too
Given the late Dalton Trumbo’s various claims to verbal fame–highest-paid screenwriter of his day, most vocal member of the Hollywood Ten, polemicist extraordinaire, winner under the pseudon
Dalton Trumbo and Murray Kempton
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On Movies, Money & Politics
The Nation asked six politically active members of the entertainment community to comment on recent developments in the realms of politics and popular culture.
Peter Biskind
-
American Graffiti
It’s true–and a cliché–that Hollywood films hold up a mirror to American society. It’s equally true–and equally a cliché–that Hollywood films fail to reflect American society.
Susie Linfield
-
Red Fox?
The contracts are signed, the treatment is being written and Fox Television plans to fast-track production on a ten- to twelve-hour miniseries based on lefty historian Howard Zinn’s A People’s
Tom Gogola
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Shud He Have Been a Contendah?
The inevitable controversy–presenting name-naming film director Elia Kazan with a Lifetime Achievement Award–has unfolded like an accident waiting to happen, aggravating the Academy of Motion
Cliff Rothman
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Postcards From the Left
As the limos and their glitterati cargo pull up to the Oscars ceremony this year, they may have to share a bit of screen time with a band of angry picketers.
Marc Cooper
-
The Forgotten Oscar
In the run-up to Sunday’s Oscar ceremony the focus was on Elia Kazan and whether the Motion Picture Academy was doing the right thing by honoring him with a Lifetime Achievement Award (see page 5
Victor Navasky
-
Carried Away
My friend Dennis Paoli says there are two kinds of horror movies, and since his screenwriting credits include Re-Animator, I treat his categories with respect.
Stuart Klawans
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When Worlds Collide
When those in my modest circle of acquaintances learned that I was editing a Hollywood issue of The Nation, they found it either risible or irritating.
Peter Biskind
-
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