Joss Whedon and the Pop Culture Canon Joss Whedon and the Pop Culture Canon
Much Ado About Nothing is great! Does it matter that its appeal depends on being a Whedon nerd?
Jun 14, 2013 / Books & the Arts / Michelle Dean
The Disillusionment of ‘Before Midnight’ The Disillusionment of ‘Before Midnight’
Linklater’s latest installment in his trilogy of GenX romance shows that hope isn’t all it’s cracked up to be.
Jun 7, 2013 / Books & the Arts / Michelle Dean
Rage and Ruin: On the Black Panthers Rage and Ruin: On the Black Panthers
A new history of the party is too close to its subject, and misses the human drama.
Jun 5, 2013 / Books & the Arts / Steve Wasserman
Transient States: On Mary Cassatt Transient States: On Mary Cassatt
In her printmaking the artist searched for a constantly elusive vision.
Jun 5, 2013 / Books & the Arts / Barry Schwabsky
Dirtying White Dirtying White
Why does Benn Steil’s history of Bretton Woods distort the ideas of Harry Dexter White?
Jun 5, 2013 / Books & the Arts / James M. Boughton
White Wigs, Black Masks: On Surveillance Pop White Wigs, Black Masks: On Surveillance Pop
The cameras no longer look at us because we’re famous; we’re famous because they look at us to death.
Jun 5, 2013 / Books & the Arts / Joshua Clover
The Anarchy Project The Anarchy Project
David Graeber’s account of Occupy Wall Street is essential—and somewhat maddening in its insistence on heightening the differences between anarchists and liberals.
May 31, 2013 / Books & the Arts / Danny Goldberg
‘Star Trek’ and the Twilight of Idealism ‘Star Trek’ and the Twilight of Idealism
Doesn't anyone dream of the stars in culture or in politics anymore?
May 23, 2013 / Books & the Arts / Michelle Dean
Hitler’s Classical Architect Hitler’s Classical Architect
Why is Léon Krier defending anew the work of the Third Reich’s master builder?
May 21, 2013 / Books & the Arts / Michael Sorkin
Shelf Life Shelf Life
Ralph Lemon’s Come Home Charley Patton
May 21, 2013 / Books & the Arts / Marina Harss