John Nichols, a pioneering political blogger, writes about politics for The Nation as its national-affairs correspondent. His posts have been circulated internationally, quoted in numerous books, and mentioned in debates on the floor of Congress.
Nichols is a contributing writer for The Progressive and In These Times and the associate editor of the Capital Times, the daily newspaper in Madison, Wisconsin. His articles have appeared in The New York Times, Chicago Tribune, and dozens of other newspapers.
Nichols is a frequent guest on radio and television programs as a commentator on politics and media issues. He was featured in Robert Greenwald’s documentary Outfoxed, and in Joan Sekler’s Unprecedented, Matt Kohn’s Call It Democracy, and Robert Pappas’s Orwell Rolls in His Grave. The keynote speaker at the 2004 Congress of the International Federation of Journalists in Athens, Nichols has been a featured presenter at conventions, conferences, and public forums on media issues sponsored by the Federal Communications Commission, the Congressional Progressive Caucus, Consumers International, the Future of Music Coalition, the AFL-CIO, the Rainbow/PUSH Coalition, the Newspaper Guild [CWA], and dozens of other organizations.
Nichols is the author of Horsemen of the Trumpocalypse: A Field Guide to the Most Dangerous People in America, forthcoming from Nation Books this fall, as well as The Genius of Impeachment (New Press); a critically acclaimed analysis of the Florida recount fight of 2000, Jews for Buchanan (New Press); and a best-selling biography of former vice president Dick Cheney, Dick: The Man Who is President (New Press), which has recently been published in French and Arabic. He edited Against the Beast: A Documentary History of American Opposition to Empire (Nation Books), of which historian Howard Zinn said: “At exactly the time when we need it most, John Nichols gives us a special gift—a collection of writings, speeches, poems, and songs from throughout American history—that reminds us that our revulsion to war and empire has a long and noble tradition in this country.”
With Robert W. McChesney, Nichols has co-authored the books It’s the Media, Stupid! (Seven Stories), Our Media, Not Theirs (Seven Stories), Tragedy and Farce: How the American Media Sell Wars, Spin Elections, and Destroy Democracy (The New Press), The Death and Life of American Journalism (Nation Books), Uprising: How Wisconsin Renewed the Politics of Protest, from Madison to Wall Street (Nation Books), and their latest, People Get Ready: The Fight Against a Jobless Economy and a Citizenless Democracy (Nation Books, March 2016). McChesney and Nichols are the co-founders of Free Press, a media-reform network, which organized the 2003 and 2005 National Conferences on Media Reform.
Of Nichols, author Gore Vidal says: “Of all the giant slayers now afoot in the great American desert, John Nichols’s sword is the sharpest.” (Photo by Robin Holland / Bill Moyers Journal)
Norm Coleman is a fool.
Not an ideological nut case, not a partisan whack, not even a useful idiot -- just a plain old-fashioned, drool-on-his-tie fool.
The Minnesota Republican senator who took Paul Wellstone's seat after one of the most disreputable campaigns in American political history has been trying over the past year to make a name for himself by blowing the controversy surrounding the United Nations Oil-for-Food program into something more than the chronicle of corporate abuse that it is. The US media, which thrives on official sound bites, was more than willing to lend credence to Coleman's overblown claims about wrongdoing in the UN program set up in 1996 to permit Iraq -- which was then under strict international sanctions -- to buy food, medicine and humanitarian supplies with the revenues from regulated oil sales. Even as Coleman's claims became more and more fantastic, he faced few challenges from the cowering Democrats in Congress.
Bill Moyers is not taking attacks by Bush Administration allies on public broadcasting in general and his journalism in particular sitting down.
"I should put my detractors on notice," declared the veteran journalist who stepped down in January as the host of PBS's NOW With Bill Moyers, who recently turned 70. "They might compel me out of the rocking chair and into the anchor chair."
Moyers closed the National Conference on Media Reform in St. Louis on Sunday with his first public response to the revelation that White House allies on the board of directors of the Corporation for Public Broadcasting have secretly been holding PBS in general -- and his show in particular -- to a partisan litmus test.
The first National Conference on Media Reform was held 18 months ago in Madison, Wisconsin. That conference, which drew 1,800 people from across the country and around the world, was a remarkable event in itself. But it was even more remarkable for the movement it helped advance to a new and dramatically more muscular stage.
After years of complaining as the media of the country consolidated and conglomerated into a corporate whole that was less than the sum of its parts, and where civic and democratic values were replaced by the commercial and entertainment demands of a corporate bottom line, twin streams of media critique and media activism exploded into a media reform movement that demanded fundamental changes in the way our media companies operate.
Suddenly, as journalist Bill Moyers suggested at that conference in November 2003, the fight was on "for a media system that serves as effectively as it sells â€“ one that holds all the institutions of society, itself included, accountable."
In Britain, the leader of the government is not elected by a national vote. Rather, the prime minister is the head of the dominant party caucus in the parliament.
It is probably a good thing that the United States decided against going with a parliamentary system, as the boss of the largest partisan caucus in the U.S. House of Representatives is a fellow named Tom DeLay.
But the parliamentary system does force British leaders to campaign on a more human scale -- and to face more poignant and powerful questions.