Ange Mlinko

Poetry Editor

Ange Mlinko is poetry editor of The Nation and the author of Marvelous Things Overheard (FSG). She is the recipient of a Guggenheim Fellowship and the Randall Jarrell Award for criticism, and teaches poetry at the University of Florida.

Languaging Languaging

Can a second language provide us with a new self?

Jan 21, 2011 / Books & the Arts / Ange Mlinko

Pleasures of the Tixte Pleasures of the Tixte

Has any book had a greater influence on the English language than the Bible?

Oct 7, 2010 / Books & the Arts / Ange Mlinko

Bluer Rather Than Pinker Bluer Rather Than Pinker

How much does language tell us what to see, and hence what to think?

Sep 7, 2010 / Books & the Arts / Ange Mlinko

After Sappho (The Volcano) After Sappho (The Volcano)

The clouds mock me with their mimicry of continental land-masses. Chimerae.   An atmospheric shield of tiny silicates separates the mother from her sons, roses from wholesalers.

Aug 11, 2010 / Books & the Arts / Ange Mlinko

The Everyday Oblique The Everyday Oblique

How and why do we use things like codes, jokes and slang to mask our meanings?

Jun 22, 2010 / Books & the Arts / Ange Mlinko

Prolixities Docked Prolixities Docked

Revisiting an enduring guide to battered ornaments, elegant variations and Gr8 Db8s.

May 27, 2010 / Books & the Arts / Ange Mlinko

Scoured Light Scoured Light

Nothing is simple in the poems of James Schuyler, not even the formal austerity of looking out a window.

May 20, 2010 / Books & the Arts / Ange Mlinko

Gramaphoons Gramaphoons

A rock bottom, a bottom line, a body in extremis all make the poems of Graham Foust quaver and reel.

Apr 16, 2010 / Books & the Arts / Ange Mlinko

Reading on the Brain Reading on the Brain

In the history of reading, does progress hinge on the weird, obsolete or eccentric among us?

Apr 5, 2010 / Books & the Arts / Ange Mlinko

Superfluity and Bounty Superfluity and Bounty

The Historical Thesaurus of the Oxford English Dictionary is a reserve set aside for thinking about the categorical inferiority of destruction to creation.

Mar 23, 2010 / Books & the Arts / Ange Mlinko

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