Melissa Gira Grant: Protesting the AIDS Conference Melissa Gira Grant: Protesting the AIDS Conference
If the US is committed to an AIDS-free generation, why is it excluding some of the most vulnerable communities?
Jul 25, 2012 / Press Room
Why Can’t Terrorists Be Mentally Ill, Too? Why Can’t Terrorists Be Mentally Ill, Too?
A growing body of evidence suggests that, at least mentally, the line between James Holmes and a Muslim jihadist may not be too thick.
Jul 25, 2012 / Cord Jefferson
Why Today’s Voter ID Face-off in Pennsylvania Is Crucial Why Today’s Voter ID Face-off in Pennsylvania Is Crucial
Ten voters will attempt to show in court that the law has clear and racially biased impact on Pennsylvanians’ right to vote.
Jul 25, 2012 / Brentin Mock and Voting Rights Watch
For Real: Torture America Style For Real: Torture America Style
Institutionalized torture says not look what we can do, but look what we disown, what only the bad apples among us require.
Jul 24, 2012 / Books & the Arts / Peter C. Baker
Living With Disjunction: Manifesta 9 and Documenta 13 Living With Disjunction: Manifesta 9 and Documenta 13
Steeped in anthropology and art history, this summer’s big shows are occasions for talk instead of exploring art that reaches the unsaid.
Jul 24, 2012 / Books & the Arts / Barry Schwabsky
Subterranean Blues: On ExxonMobil Subterranean Blues: On ExxonMobil
Moral indignation is no longer enough to combat the power of Big Oil.
Jul 24, 2012 / Books & the Arts / Kim Phillips-Fein
Shelf Life Shelf Life
Louis Malle’s Vanya on 42nd Street; Vera Farmiga’s Higher Ground; John Cassavetes’s Too Late Blues
Jul 24, 2012 / Books & the Arts / Akiva Gottlieb
Puzzle No. 3247 Puzzle No. 3247
Don’t miss Kosman and Picciotto’s crossword blog, Word Salad.
Jul 24, 2012 / Joshua Kosman and Henri Picciotto
Republicans Want to Freeze Government Regulation—Forever? Republicans Want to Freeze Government Regulation—Forever?
An already dangerous bill to freeze federal regulations is all the more so because of an embarassing error.
Jul 24, 2012 / George Zornick