Guantánamo Ain't No Joke
Shayana Kadidal : Civil Rights & Liberties
Harold and Kumar Escape from Guantánamo Bay is very funny. Nothing about the real place is.

Shayana Kadidal : Civil Rights & Liberties
Harold and Kumar Escape from Guantánamo Bay is very funny. Nothing about the real place is.
Nathaniel Friedman : Music
The versatile vocalist Mable John, now a novelist and minister, has come a long way since the 1960s soul era that made her (almost) famous.
John Nichols : Iraq War
His new documentary is breaking the taboo that says Americans cannot stomach the reality of the Iraq War.
Stuart Klawans
In Flight of the Red Balloon, filmmaker Hou Hsiao-hsien takes on an unmistakably Parisian story with unbridled creative abandon.
Aziz Huq : Islam & Muslims
The new film by Dutch politician Geert Wilders is the latest in a series of stunts aimed at humiliating and scapegoating Muslims.
Te-Ping Chen : History
On the bicentennial of the abolition of the slave trade, a documentarian tries to come to grips with her family's history in the trade.
Charles Taylor : Books
In Zeroville, Steve Erickson explores New Hollywood's promise and doom and the dissolution of cinema into spectacle.
Robert Scheer : Pakistan
Unlike the plot of the latest Tom Hanks film, the blowback price of our incessant meddling could prove quite high. And even Hollywood can't put a pretty face on that one.
Lakshmi Chaudhry : Islam & Muslims
Two films address US adventures in Afghanistan and Pakistan, with a big dose of historical amnesia, political pandering, moral superiority and outraged innocence.
With the release of the Dylan pastiche I'm Not There, Todd Haynes revises our cultural memory by adjusting familiar clichés.
Museums can't get enough of Kara Walker, whose silhouettes of the history of slavery seem to be a nightmare she's trying to enjoy.
John Nichols : Israeli/Palestinian Conflict
A conversation with the former President on Jonathan Demme's new film, Jimmy Carter Man From Plains, and the difficulty of talking about Israel and Palestine.
Christine Smallwood : Terrorism Targeting the US
Three new films--Rendition, The Kingdom and Redacted--take on the clash of civilizations. How does the "war on terror" look on the big screen?
Patricia J. Williams : Civil Rights After 9/11
Federal authorities are prosecuting Steve Kurtz under the Patriot Act for using harmless bacteria in his artwork. A new film examines his ordeal.
Charles Ferguson answers questions about his gripping new documentary that takes aim at those who took us to war in Iraq.
Shimon Dotan's documentary Hot House takes a candid and compelling look at Palestinians serving life terms in Israeli prisons.
Christopher Hayes : Labor Organizing & Activism
Michael Moore's newest film is less partisan, less outrageous--but more real--than anything he's done before.
Annabelle Gurwitch : 1st Amendment
I joined the protest of a terribly offensive poster for the horror flick Captivity, which resulted in its being taken down. Was that a good thing?
Reviews of Syndromes and a Century, Private Fears in Public Places, Jack Smith and the Destruction of Atlantis and Stephanie Daley.
Reviews of U-Carmen, Offside and Killer of Sheep, arguably one of the best films of 2007.
Joseph Huff-Hannon : Peace Activism
Video activists and independent filmmakers are on the ground in war zones from Iraq to Lebanon and Gaza, using documentaries as instruments of peacemaking.
Earl Shorris : Native Americans
Mel Gibson's violent new film Apocalypto exploits Maya culture and perpetuates racist stereotypes.
Alberto Morales : Arts, Culture, & Entertainment
Ricardo Mendez Matta and Poli Marichal answer questions about their new film, Ladrones y Mentirosos (Thieves and Liars), which takes a hard look at the price Puerto Ricans are paying for the drug trade.
The War Tapes, a documentary shot by US soldiers and sanctioned by the military, may turn out to be the most powerful statement against the war to date.
Stuart Klawans : Activism & Organizing
Reviews of The Road to Guantanamo and Crossing the Bridge: The Sound of Istanbul.
The detainment of two actors from The Road to Guantánamo reveals a legal apparatus that is no longer able to distinguish between real and invented threats.
In The Power of Movies, Colin McGinn asserts that films are the medium best suited to imitate the workings of the dreaming mind.
Federico Fellini: His Life And Work effaces nearly everything written about the great Italian director, offering a distinct critical analysis and an absorbing account of his private life.
David Bromwich : Film Industry
Richard Schickel's biography of Elia Kazan is a laudatory
postscript to a life marked by social turmoil, political strife and
artistic intensity.
Richard Goldstein : Gay & Lesbian Issues & Activism
From Brokeback Mountain's closeted cowboys to King Kong's embrace of Anne Darrow, Hollywood has queered cherished icons of masculinity. But the two films paint a bleak picture: Love that falls outside the norm must struggle to be something more than self-destructive.
Admired from a distance and reviled up close, Laurence Olivier could establish a relation with his audience that was like an infection. His official biography chronicles a personal life of an actor who altered the cultural compass of a nation.
New biographies of Benito Mussolini and Marilyn Monroe contemplate
exploitation of the body--in life and after death.
Daniel Fuchs's The Golden West is best read as an
author's requiem for the Hollywood he loved.
Richard Goldstein : Cultural Criticism & Analysis
Recent movies including War of the Worlds and Land of the Dead reflect today's political landscape.
Richard Goldstein : Arts, Culture, & Entertainment
The progressive and regressive politics of Star Wars.
Jeremy Varon : Global Justice Movement
The last few years have seen renewed interest in the Weathermen.
Robert Scheer : Catholicism & Catholics
Mel Gibson's movie is a blood libel against the Jewish people.
Anticipation over what would or would not be said about the war during the Oscars had reached near hysteria in the days before the broadcast.
The Quiet American illustrates how far Hollywood self-censorship has gone in the year since 9/11.
Gene Seymour : African-Americans
The historic Oscar wins by Halle Berry and Denzel Washington suggest a fertile moment for blacks in film. Last year five African-American filmmakers took part in a Nation forum.
The Taliban may have met its match: the American Dream Machine.


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