Film

The Awful Truth The Awful Truth

Special thanks to Alison Mann.

Mar 16, 2000 / Books & the Arts / Manohla Dargis

Independents’ Day Independents’ Day

The most important day in the history of American independent film was May 8, 1947, which witnessed the opening of a picture so personal--no, so heedlessly self-revelatory--that ...

Mar 16, 2000 / Books & the Arts / Stuart Klawans

Planetary Realignments Planetary Realignments

Last night a teenager killed himself below my bedroom window. I heard it happen: first a crescendo of police sirens coming up the avenue at two in the morning, then a crash.

Mar 9, 2000 / Books & the Arts / Stuart Klawans

On Leo, Gio and Tobey On Leo, Gio and Tobey

It's a sign of age: Mention 1985, and I will sometimes think you're talking about last year.

Mar 2, 2000 / Books & the Arts / Stuart Klawans

Dog Days Dog Days

The first thing Jim Jarmusch asks you to do in Ghost Dog: The Way of the Samurai is to look up and down.

Feb 23, 2000 / Books & the Arts / Stuart Klawans

Craven Idolatry Craven Idolatry

For someone who misspent his youth in film societies and revival houses, where mushrooms develop more readily than social skills, a job as a movie reviewer wonderfully eases the ...

Feb 16, 2000 / Books & the Arts / Stuart Klawans

To Her, With Love To Her, With Love

I like a filmmaker who walks you into a story.

Feb 10, 2000 / Books & the Arts / Stuart Klawans

The Original Valley Girl The Original Valley Girl

Bette Midler got her first starring role in the movies in 1979, playing the lead in The Rose, a thinly disguised biopic about Janis Joplin.

Feb 3, 2000 / Books & the Arts / Stuart Klawans

As Maine Goes, So Goes… As Maine Goes, So Goes…

Frederick Wiseman's latest film, Belfast, Maine, is having its New York premiere in the best possible setting, as the opening feature in a full retrospective of his work.

Jan 27, 2000 / Books & the Arts / Stuart Klawans

Ungood Fellas Ungood Fellas

The last decade of the twentieth century was not a happy one for the Mafia.

Jan 20, 2000 / Books & the Arts / George De Stefano

x