On this episode of The Time of Monsters, Moira Donegan on Drive-Away Dolls and Love Lies Bleeding.
Love Lies Bleeding(A24)
In the last few weeks, Hollywood has given us Drive-Away Dolls (directed by Ethan Coen, who also co-wrote it in collaboration with Tricia Cooke) and Live Lies Bleeding (directed by Rose Glass who co-wrote it with Weronika Tofilska). Although very different in tone, the two movies have some striking commonalities. Both are set in the late 20th century and take familiar genres (the buddy road comedy, the erotic thriller) while featuring lesbian lead characters.
To talk about this trend, I spoke to Moira Donegan, a frequent guest of the The Time of Monsters, who sees the movies as evidence of “the lesbian plot” becoming Hollywood fare. She locates both films as exercises in nostalgia for a period when actual lesbian culture is rapidly changing.
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Iran is facing upheavals at home and abroad. For more than two decades, the Islamic Republic has faced waves of protests from citizens demanding a more democratic society. Over the past two weeks, these protests have erupted with a new ferocity and are being met with violent repression. Meanwhile, the Israeli government is pushing the United States to renew bombing Iran, a military objective now being given the guise of a humanitarian mission. To discuss the turmoil in Iran and place it in the larger context of regional instability and competing visions of the future of the Middle East, I spoke with Annelle Sheline, a research fellow at The Quincy Institute who studies the region, in this special Friday edition of the podcast.
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Jeet HeerTwitterJeet Heer is a national affairs correspondent for The Nation and host of the weekly Nation podcast, The Time of Monsters. He also pens the monthly column “Morbid Symptoms.” The author of In Love with Art: Francoise Mouly’s Adventures in Comics with Art Spiegelman (2013) and Sweet Lechery: Reviews, Essays and Profiles (2014), Heer has written for numerous publications, including The New Yorker, The Paris Review, Virginia Quarterly Review, The American Prospect, The Guardian, The New Republic, and The Boston Globe.