The movie award season is in full swing and this year’s crop of potential Oscar winners includes a healthy and diverse array of films, ranging from psychological studies like Tár to big blockbusters like Avatar: The Way of Water. 

I sat down with film critic Adam Nayman, about the Oscar list. We also discuss, at greater length, one particular nominee which we felt merited a long discussion: The Fabelmans, Steven Spielberg’s semi-autobiographical account of his youth. Adam’s review of the movie can be found here. As Adam notes, the the movie is multi-layered and rewards a deeper examination. It’s a portrait of the artist as a youthful cinephile which also makes explicit the family break-up that would haunt Spielberg’s work. Surprisingly self-critical, the movie is not, as some have said, a victory lap. Rather, it delves into the psychological price paid by becoming an artist who uses creativity to hide from reality. It also tells the complex story of Jewish assimilation into an American mainstream aided and abetted by Hollywood.

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