Stuart Klawans

Film Critic

Stuart Klawans is the film critic for The Nation.

Spike’s Season Spike’s Season

In Summer of Sam, Spike Lee has made a small, shapely drama about two young Italian-American couples in the Bronx.

Jul 8, 1999 / Books & the Arts / Stuart Klawans

Bridge Over Troubled Water Bridge Over Troubled Water

Legend has it that Potemkin, burdened by duties and melancholy, once neglected to order the packing up of one of his stage-set villages.

Jul 1, 1999 / Books & the Arts / Stuart Klawans

Born Cool Born Cool

The title character in Run Lola Run lives underneath a fibrous growth that in shape resembles a neglected patch of lawn and in color brings to mind a fire engine--or maybe a fire...

Jun 24, 1999 / Books & the Arts / Stuart Klawans

Octopussy by Other Means Octopussy by Other Means

In the movie that has been assigned to us to write about, Austin Powers: The Spy Who Shagged Me, Mike Myers from Saturday Night Live plays a secret agent named Austin Powers.

Jun 17, 1999 / Books & the Arts / Stuart Klawans

Fast Times at Carver High Fast Times at Carver High

In Variety, where industry rumors congeal into analysis and analysis hardens to consensus, the news is bad for filmmakers like Alexander Payne.

Jun 10, 1999 / Books & the Arts / Stuart Klawans

A Greek Bearing Gifts A Greek Bearing Gifts

Before I ask you to see Eternity and a Day, I'd better explain something about its director and co-screenwriter, Theo Angelopoulos.

Jun 3, 1999 / Books & the Arts / Stuart Klawans

Episode I–The Phantom Menace Episode I–The Phantom Menace

Not only now but every week, I am reminded at two-minute intervals of the influence of Star Wars.

May 20, 1999 / Books & the Arts / Stuart Klawans

Nowhere Man, Please Listen Nowhere Man, Please Listen

On April Fool's Day 1989, Leonid Loktev changed without warning into another person.

May 13, 1999 / Books & the Arts / Stuart Klawans

Memory Hotel (It’s Haunted) Memory Hotel (It’s Haunted)

Thanks to the genius of millions, who over the generations have created our language, we may speak of the most uncanny experience in terms that suit the most common.

May 6, 1999 / Books & the Arts / Stuart Klawans

Global Indigestion Global Indigestion

I coined the term "global brunch" several years ago after seeing a film of the Stravinsky-Cocteau Oedipus Rex as staged by Julie Taymor.

Apr 29, 1999 / Books & the Arts / Stuart Klawans

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