After the American Empire After the American Empire
On this episode of The Time of Monsters: Trita Parsi on why Donald Trump’s retrenchment doesn’t go far enough.
Make No Mistake: Trump Is Trying to Steal the Midterms Make No Mistake: Trump Is Trying to Steal the Midterms
For MAGA, 2026 will be payback for 2020.
Oct 31, 2025 / Jeet Heer
The Rush to War With Venezuela The Rush to War With Venezuela
On The Time of Monsters: Van Jackson on Trump's reckless plunge into conflict in Latin America.
Andrew Cuomo Is Going Out the Way He Came In: as a Vile Bigot Andrew Cuomo Is Going Out the Way He Came In: as a Vile Bigot
Vote for Zohran, not the moron.
Oct 27, 2025 / Jeet Heer
Trump’s Argentina Bailout Is Bad for America but Great for His Hedge Fund Cronies Trump’s Argentina Bailout Is Bad for America but Great for His Hedge Fund Cronies
Propping up Javier Milei’s austerity regime shows that Trump’s true loyalty is to neocolonial plutocracy.
Oct 24, 2025 / Jeet Heer
King Trump’s Deepest Fantasy: Crapping on America King Trump’s Deepest Fantasy: Crapping on America
The president’s scatological No Kings post expresses the ugly emotion fueling his authoritarian rule.
Oct 20, 2025 / Jeet Heer
The Political Consequences of Gaza The Political Consequences of Gaza
On this episode of The Time of Monsters: Yousef Munayyer on the need for accountability after a genocide.
JD Vance Thinks That Tomorrow Belongs to Hitler-Loving Young Republicans JD Vance Thinks That Tomorrow Belongs to Hitler-Loving Young Republicans
In a post-shame era, racist slurs and Nazism can be shrugged off.
Oct 17, 2025 / Jeet Heer
The Nobel Peace Prize Just Surrendered to Trump The Nobel Peace Prize Just Surrendered to Trump
Trump is mad that he didn’t win. But by honoring María Corina Machado, the Nobel Committee has endorsed his war against Venezuela—and continued Europe’s MAGA groveling.
Oct 13, 2025 / Jeet Heer
Revolutionary Violence and “One Battle After Another” Revolutionary Violence and “One Battle After Another”
On this episode of The Time of Monsters: David Klion on the historical resonance of Paul Thomas Anderson’s new movie.