Hollywood’s New Lesbian Plot
On this episode of The Time of Monsters, Moira Donegan on Drive-Away Dolls and Love Lies Bleeding.
The Time of Monsters with Jeet Heer
The Time of Monsters podcast features Nation national-affairs correspondent Jeet Heer’s signature blend of political culture and cultural politics. Each week, he’ll host in-depth conversations with urgent voices on the most pressing issues of our time.
Hollywood’s New Lesbian Plot
In the last few weeks, Hollywood has given us Drive-Away Dolls (directed by Ethan Coen, who also co-wrote it in collaboration with Tricia Cooke) and Live Lies Bleeding (directed by Rose Glass who co-wrote it with Weronika Tofilska). Although very different in tone, the two movies have some striking commonalities, both are set in the late 20th century and take familiar genres (the buddy road comedy, the erotic thriller) while featuring lesbian lead characters.
To talk about this trend, I spoke to Moira Donegan, a frequent guest of the podcast, who sees the movies as evidence of “the lesbian plot” becoming Hollywood fare. She locates both films as exercises in nostalgia in a period when actual lesbian culture is rapidly changing.
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Love Lies Bleeding
(A24)In the last few weeks, Hollywood has given us Drive-Away Dolls (directed by Ethan Coen, who also co-wrote it in collaboration with Tricia Cooke) and Live Lies Bleeding (directed by Rose Glass who co-wrote it with Weronika Tofilska). Although very different in tone, the two movies have some striking commonalities. Both are set in the late 20th century and take familiar genres (the buddy road comedy, the erotic thriller) while featuring lesbian lead characters.
To talk about this trend, I spoke to Moira Donegan, a frequent guest of the The Time of Monsters, who sees the movies as evidence of “the lesbian plot” becoming Hollywood fare. She locates both films as exercises in nostalgia for a period when actual lesbian culture is rapidly changing.
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Where Did Biden’s Foreign Policy Go Wrong? | The Time of Monsters
Writing in the Nation, David Klion recently reviewed a Alexander Ward’s new book on Biden’s foreign policy, which offers a redemption arc whereby an administration wounded by the botched exit from Afghanistan made good by its handling of the Ukraine invasion.
But as Klion notes, the two year frame of the book is too narrow. In conversation, David and I contextualize Biden’s foreign policy, which is deeply unpopular and flawed, in the larger history of hawkish liberalism. We look at the attempt to revive a style of military Keynesianism and Biden’s deep investment in Zionism, as well as the contradictions on issues of human rights that are hampering Biden’s presidency.
During the discussion, I alluded to this excellent Mother Jones article by Noah Lanard on Biden and Israel.
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