Hollywood’s New Lesbian Plot
On this episode of The Time of Monsters, Moira Donegan on Drive-Away Dolls and Love Lies Bleeding.

Love Lies Bleeding
(A24)In the last few weeks, Hollywood has given us Drive-Away Dolls (directed by Ethan Coen, who also co-wrote it in collaboration with Tricia Cooke) and Live Lies Bleeding (directed by Rose Glass who co-wrote it with Weronika Tofilska). Although very different in tone, the two movies have some striking commonalities. Both are set in the late 20th century and take familiar genres (the buddy road comedy, the erotic thriller) while featuring lesbian lead characters.
To talk about this trend, I spoke to Moira Donegan, a frequent guest of the The Time of Monsters, who sees the movies as evidence of “the lesbian plot” becoming Hollywood fare. She locates both films as exercises in nostalgia for a period when actual lesbian culture is rapidly changing.

Here's where to find podcasts from The Nation. Political talk without the boring parts, featuring the writers, activists and artists who shape the news, from a progressive perspective.
Only a few years ago, European elites were patting themselves on the back for fending off the
tide of right-wing anti-system parties (often styled as populists). But recent polls in France,
Germany and the United Kingdom show that that the far right is once again gaining traction,
thanks in no small part centrist governments that have demoralized the population and
legitimized xenophobia. David Broder, author of Mussolini’s Grandchildren and European editor
of Jacobin, wrote a wide-ranging essay on this for The New York Times. I spoke to David about
both the dismal decisions of mainstream parties and also possible alternatives.
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