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Stuart Klawans

Film Critic

Winner of the National Magazine Award for his film reviews for The Nation, Stuart Klawans is author of the books Film Follies: The Cinema Out of Order (a finalist for the 1999 National Book Critics Circle Awards) and Left in the Dark: Film Reviews and Essays, 1988-2001. When not on deadline for The Nation, he contributes articles to The New York Times, Parnassus: Poetry in Review and other publications.

  • Film April 20, 2006

    Night on Earth

    Reviews of The Death of Mr. Lazarescu, The Notorious Bettie Page and Sir! No Sir!

    Stuart Klawans

  • Film April 6, 2006

    Treasure Island

    Reviews of Iron Island, Inside Man and Sisters in Law.

    Stuart Klawans

  • March 23, 2006

    The Wild Child

    Reviews of L'Enfant, V for Vendetta, Shakespeare Behind Bars, Toro Negro, The Devil's Miner and Mardi Gras: Made in China.

    Stuart Klawans

  • Film March 9, 2006

    Consuming Desires

    Thank You for Smoking praises the professional hucksters of the cigarette companies, and Duck Season is a road movie in which the scenery doesn't change.

    Stuart Klawans

  • Film February 23, 2006

    The Candidate

    James Carville peddles democracy in Bolivia in Our Brand Is Crisis, and anti-Nazi passions play out in Sophie Scholl: The Last Days.

    Stuart Klawans

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  • Film February 9, 2006

    A Touch of Evil

    Reviews of The Three Burials of Melquiades Estrada, Battle in Heaven, Blossoms of Fire and The Fallen Idol.

    Stuart Klawans

  • Film January 25, 2006

    The Unquiet American

    Reviews of Why We Fight, Looking for Comedy in the Muslim World and Tristram Shandy: A Cock and Bull Story.

    Stuart Klawans

  • Film January 11, 2006

    Cruel and Unusual Punishment

    Michael Haneke's Caché is a stylish thriller that scrapes away at the surface of polite European affluence to lay bare the moral rot beneath.

    Stuart Klawans

  • Film December 20, 2005

    A History of Violence

    Munich is a first-rate spy thriller featuring an assassin who reveals his soul. Ang Lee's Brokeback Mountain gives two extraordinary actors time and space to develop a rare emotional interplay. Match Point puzzles with a dirty-minded energy. And Peter Jackson's remake of King Kong is true to the Depression-era original.

    Stuart Klawans

  • Film December 8, 2005

    Imitation of Art

    The Chronicles of Narnia is the perfect combination of Christian allegory and The Lord of the Rings, a well-crafted commodity and nothing more. The Ice Harvest, an anti-Christmas film noir, has an unexpected depth of feeling. Memoirs of a Geisha is all prestige and promotions.

    Stuart Klawans