Katha Pollitt is a columnist at The Nation. She is well known for her wit and her keen sense of both the ridiculous and the sublime. Her “Subject to Debate” column, which debuted in 1995 and which the Washington Post called “the best place to go for original thinking on the left,” appears regularly in The Nation. “Subject to Debate” won the National Magazine Award for Columns and Commentary in 2003, and was a finalist in 2013. Pollitt is also the recipient of the American Sociological Association Award for Excellence in the Reporting of Social Issues. She is a Puffin Foundation Writing Fellow at Type Media Center.
Pollitt has been contributing to The Nation since 1980. Her 1992 essay on the culture wars, “Why We Read: Canon to the Right of Me…” won the National Magazine Award for essays and criticism, and she won a Whiting Foundation Writing Award the same year. In 2013, her column won a Maggie Award from the Planned Parenthood Federation of America, as did her 1993 essay “Why Do We Romanticize the Fetus?”
Many of Pollitt’s contributions to The Nation are compiled in three books: Reasonable Creatures: Essays on Women and Feminism (Knopf); Subject to Debate: Sense and Dissents on Women, Politics, and Culture (Modern Library); and Virginity or Death! And Other Social and Political Issues of Our Time (Random House). In 2007 Random House published her collection of personal essays, Learning to Drive and Other Life Stories. Two pieces from this book, “Learning to Drive” and its follow-up, “Webstalker,” originally appeared in The New Yorker. “Learning to Drive” is anthologized in Best American Essays 2003. It has been made into a movie of the same title, starring Patricia Clarkson and Ben Kingsley. Her most recent book is Pro: Reclaiming Abortion Rights, which The New York Times listed as a Notable Book of 2014.
Pollitt has also written essays and book reviews for The New Yorker, The Atlantic, The New Republic, Harper’s, Ms., Glamour, Mother Jones, The New York Times, and the London Review of Books. She has appeared on NPR’s Fresh Air and All Things Considered, Charlie Rose, The McLaughlin Group, CNN, Dateline NBC and the BBC. Her work has been republished in many anthologies and is taught in many university classes.
For her poetry, Pollitt has received a National Endowment for the Arts grant and a Guggenheim Fellowship. Her 1982 book Antarctic Traveller won the National Book Critics Circle Award. Her poems have been published in many magazines and are reprinted in many anthologies, most recently The Oxford Book of American Poetry (2006). Her second collection, The Mind-Body Problem, came out from Random House in 2009.
Born in New York City, she was educated at Harvard and the Columbia School of the Arts. She has lectured at dozens of colleges and universities, including Harvard, Yale, Princeton, Brooklyn College, UCLA, the University of Mississippi and Cornell. She has taught poetry at Princeton, Barnard and the 92nd Street Y, and women’s studies at the New School University.
Let the media—left, right, center—know that the crude sexualization of women who voice their opinions in public is not “satire.” It’s misogyny.
Child-rearing fads aren’t really about children. They’re about regulating the behavior of women.
Why is it so hard to understand that women’s rights are an economic issue?
The brouhaha over Hilary Rosen’s comments was not really about whether what stay-home mothers do is work.
Katniss Everdeen is a new kind of pop heroine. No boy-crazy shopaholic, she’s a complex character on a quest of her own.
If you had any doubt that Republicans have an even bigger anti-woman agenda than their love of compulsory vaginal probes might suggest, consider Wisconsin’s Senate Bill 507.
Here’s why you should make a major gift to an abortion fund.
Bad things happen when laws to protect fetuses are turned against the women who carry them.
For the right wing, when the topic is anything remotely connected to female sexuality, every woman is a slut.