The Nation's film critic Stuart Klawans is author of the books Film Follies: The Cinema Out of Order (a finalist for the 1999 National Book Critics Circle Awards) and Left in the Dark: Film Reviews and Essays, 1988-2001. His film criticism and reviews for The Nation won the 2007 National Magazine Award. When not on deadline for The Nation, he contributes articles to the New York Times and other publications.
On Ex Machina and Andrew Bujalski’s Results
A more apt comparison would be between the surviving staff of the satirical magazine and the brave abortion providers who carried on after the murder of Dr. George Tiller.
Clouds of Sils Maria is prolonged debate about the passage of time and the ceaseless rivalry of generations.
War between men and dogs looms in the Budapest of White God; Ethan Hawke pays homage to New York City’s greatest piano teacher in Seymour: An Introduction.
A more convivial, expansive and life-affirming future is with us now—and the movies can help take us there.
Clint Eastwood’s shoot ’em up is remorseless, racist fantasy.
Damián Szifron’s Wild Tales is a carnival of melancholy, melodrama and the polymorphously perverse.
Joaquin Phoenix and Owen Wilson star in Inherent Vice, a delirious romp through all of man’s perversions.
Benedict Cumberbatch plays Alan Turing as a creature of secrets in The Imitation Game.
Swagger and survival in Foxcatcher and Red Army