On this episode of The Time of Monsters, Moira Donegan on Drive-Away Dolls and Love Lies Bleeding.
Love Lies Bleeding(A24)
The Time of Monsters podcast features Nation national-affairs correspondent Jeet Heer’s signature blend of political culture and cultural politics. Each week, he’ll host in-depth conversations with urgent voices on the most pressing issues of our time.
In the last few weeks, Hollywood has given us Drive-Away Dolls (directed by Ethan Coen, who also co-wrote it in collaboration with Tricia Cooke) and Live Lies Bleeding (directed by Rose Glass who co-wrote it with Weronika Tofilska). Although very different in tone, the two movies have some striking commonalities, both are set in the late 20th century and take familiar genres (the buddy road comedy, the erotic thriller) while featuring lesbian lead characters.
To talk about this trend, I spoke to Moira Donegan, a frequent guest of the podcast, who sees the movies as evidence of “the lesbian plot” becoming Hollywood fare. She locates both films as exercises in nostalgia in a period when actual lesbian culture is rapidly changing.
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In the last few weeks, Hollywood has given us Drive-Away Dolls (directed by Ethan Coen, who also co-wrote it in collaboration with Tricia Cooke) and Live Lies Bleeding (directed by Rose Glass who co-wrote it with Weronika Tofilska). Although very different in tone, the two movies have some striking commonalities. Both are set in the late 20th century and take familiar genres (the buddy road comedy, the erotic thriller) while featuring lesbian lead characters.
To talk about this trend, I spoke to Moira Donegan, a frequent guest of the The Time of Monsters, who sees the movies as evidence of “the lesbian plot” becoming Hollywood fare. She locates both films as exercises in nostalgia for a period when actual lesbian culture is rapidly changing.
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On this episode of The Time of Monsters, Yousef Munayyer on a president at war with his base.
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Jeet HeerTwitterJeet Heer is a national affairs correspondent for The Nation and host of the weekly Nation podcast, The Time of Monsters. He also pens the monthly column “Morbid Symptoms.” The author of In Love with Art: Francoise Mouly’s Adventures in Comics with Art Spiegelman (2013) and Sweet Lechery: Reviews, Essays and Profiles (2014), Heer has written for numerous publications, including The New Yorker, The Paris Review, Virginia Quarterly Review, The American Prospect, The Guardian, The New Republic, and The Boston Globe.