Tom Engelhardt created and runs the Tomdispatch.com website, a project of The Nation Institute of which he is a Fellow. He is also consulting editor for Metropolitan Books and the co-founder of its American Empire Project series. He is the author of The American Way of War: How Bush’s Wars Became Obama’s, The End of Victory Culture (University of Massachusetts Press), which has just been thoroughly updated in a newly issued edition that deals with victory culture's crash-and-burn sequel in Iraq and a novel, The Last Days of Publishing, about a world he inhabited for thirty years. His latest book, coauthored with Nick Turse, is Terminator Planet: The First History of Drone Warfare, 2001-2050. Each spring he is a Teaching Fellow at the Graduate School of Journalism at the University of California, Berkeley.
Tomdispatch.com began in November 2001 as Tom Engelhardt’s unnamed e-list of commentary and collected articles from the world press. In December 2002, it gained its name, became a project of The Nation Institute, and went online as “a regular antidote to the mainstream media.” It now posts Tom Engelhardt’s regular commentaries and the original work of authors ranging from Rebecca Solnit and Mike Davis to Chalmers Johnson, Michael Klare, and Elizabeth de la Vega. Nick Turse (who also writes for the site) is its part-time associate editor and research director.
Tomdispatch is intended to introduce readers to voices and perspectives from elsewhere (even when the elsewhere is here). Its mission is to connect some of the global dots regularly left unconnected by the mainstream media and to offer a clearer sense of how this imperial globe of ours actually works. It also has regular interviews with thinkers and doers Engelhardt admires. These are now collected in Mission Unaccomplished: Tomdispatch Interviews with American Iconoclasts and Dissenters (Nation Books, October, 2006).
Far more than all the other bad things that have happened during the Bush years, our current financial crisis makes me feel that the American empire is in ruin.
And one answer: Bush's global 'war on terror' operates on a double standard.
In Bush's wars, the singer dies, the bride does not get a chance to run away, and the event might be relabeled my big, fat, collateral damage wedding.
More than five years after the invasion of Iraq--just in case you were still waiting--the oil giants finally hit the front page.
At the hour of our latest and greatest crisis, don't expect anything of this bunch but the usual heck of a job.
In March 2009, no matter who is president, Iraq will still be hell on Earth.
From the heaving deck of the USS Lake Erie, the Bush Administration takes shaky aim at a rogue satellite hurtling to Earh, carrying unknown secrets. The missile attack is purely humanitarian, they assure us.
There's an escalating air war in Iraq; why don't American media consider it serious news?
American voters, stuck in the world that Bush and Cheney have crafted, are sensing doom--and they want out.
Despite the cosmetic acts of President Bush, his undertakers and enablers, America's Iraq is still a corpse.