The Nation's film critic Stuart Klawans is author of the books Film Follies: The Cinema Out of Order (a finalist for the 1999 National Book Critics Circle Awards) and Left in the Dark: Film Reviews and Essays, 1988-2001. His film criticism and reviews for The Nation won the 2007 National Magazine Award. When not on deadline for The Nation, he contributes articles to the New York Times and other publications.
Clint Eastwood won his first Academy Award for this Dirty-Harry-meets-the-western classic.
In which an addled man stumbles through recent American history, kind of like George W. Bush.
Reviewing Silent Light and more.
It was said that the opening scenes of the D-Day invasion were so realistic that veterans hospitals across the country became filled with vets suffering from flashbacks after seeing the film.
...are made to be broken, as Arthur Agee and William Gates learned the hard way over the five years their lives on and off the court were filmed.
The real question is who comes off worse: the callous GM executive, the bunny-cidal woman or Bob Eubanks, the anti-Semitic, joke-telling gameshow host.
Unlike The Godfather, in Martin Scorsese's depiction of New York mafioso, no one pretends to be a man of honor. That's one of the reasons it's so great.
New York City's second most-famous Mookie delivers pizza and fights the power in Spike Lee's breakthrough film. Some critics predicted its provocative portrayal of race tensions would cause riots. Instead, the film started a dialogue.
Gus Van Sant's Milk, Baz Luhrmann's Australia, Kelly Reichardt's Wendy and Lucy.
Reviews: Arnaud Desplechin's enchanted A Christmas Tale and Charlie Kaufman's brilliant Synedoche, New York.