The Nation's film critic Stuart Klawans is author of the books Film Follies: The Cinema Out of Order (a finalist for the 1999 National Book Critics Circle Awards) and Left in the Dark: Film Reviews and Essays, 1988-2001. His film criticism and reviews for The Nation won the 2007 National Magazine Award. When not on deadline for The Nation, he contributes articles to the New York Times and other publications.
Werner Herzog's Cave of Forgotten Dreams; Joe Wright's Hanna; Andreas Lust's The Robber; Daniel and Diego Vega's Octubre.
Is it a good thing that film—not the audiovisual materials that exist everywhere but movies, projected in public spaces— has stopped being central to American life?
Abbas Kiarostami's Certified Copy; Matt Porterfield's Putty Hill; Patricio Guzmán's Nostalgia for the Light; J. Hoberman's new book, An Army of Phantoms
Lee Chang-dong's Poetry, Jorge Michel Grau's We Are What We Are, Ron Howard's The Dilemma
The highlights of 2010 included Roman Polanski's The Ghost Writer, Jeff Malmberg's Marwencol and the twenty-fifth-anniversary rerelease of Claude Lanzmann's Shoah.
The King's Speech, The Illusionist, Black Swan
127 Hours; Jackass 3D; Hereafter; Made in Dagenham; Middletown
Lee Chang-Dong's Poetry, Kelly Reichardt's Meek's Cutoff, Charles Ferguson's Inside Job and other films
David Fincher's The Social Network; Yael Hersonki's A Film Unfinished; Nuremberg: Its Lesson for Today


