The Nation's film critic Stuart Klawans is author of the books Film Follies: The Cinema Out of Order (a finalist for the 1999 National Book Critics Circle Awards) and Left in the Dark: Film Reviews and Essays, 1988-2001. His film criticism and reviews for The Nation won the 2007 National Magazine Award. When not on deadline for The Nation, he contributes articles to the New York Times and other publications.
In the role of New Yorker writer Joseph Mitchell--source and subject alike of Joe Gould's Secret--Stanley Tucci adopts the hesitant drawl of a displaced Southern aristocrat, who goe
If you squint long enough at Claire Denis's amazing Beau Travail--you'll have to squint, given the African sunlight--you will make out the faint contour of a story.
The most important day in the history of American independent film was May 8, 1947, which witnessed the opening of a picture so personal--no, so heedlessly self-revelatory--that viewers today sti
Last night a teenager killed himself below my bedroom window. I heard it happen: first a crescendo of police sirens coming up the avenue at two in the morning, then a crash.
It's a sign of age: Mention 1985, and I will sometimes think you're talking about last year.
The first thing Jim Jarmusch asks you to do in Ghost Dog: The Way of the Samurai is to look up and down.
For someone who misspent his youth in film societies and revival houses, where mushrooms develop more readily than social skills, a job as a movie reviewer wonderfully eases the burden of small t
Bette Midler got her first starring role in the movies in 1979, playing the lead in The Rose, a thinly disguised biopic about Janis Joplin.