Arthur C. Danto was born in Ann Arbor, Michigan, in 1924, and grew up in Detroit. After spending two years in the Army, Danto studied art and history at Wayne University (now Wayne State University) and then at Columbia University.
From 1949 to 1950, Danto studied in Paris on a Fulbright scholarship, and in 1951 returned to teach at Columbia, where he is currently Johnsonian Professor of Philosophy.
Since 1984, he has been art critic for The Nation, and in addition to his many books on philosophical subjects, he has published several collections of art criticism, including Encounters and Reflections: Art in the Historical Present (Farrar, Straus & Giroux, 1990), which won the National Book Critics Circle Award for Criticism; Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective (Farrar, Straus & Giroux, 1992); Playing With the Edge: The Photographic Achievement of Robert Mapplethorpe (University of California, 1995); and, most recently, The Madonna of the Future: Essays in a Pluralistic Art World (Farrar, Straus & Giroux, 2000). He lives in New York City.
In the late '60's, Eva Hesse's ambitious sculptures challenged the art world. Collected in a new exhibition, her art is even greater today.
The art on display at the Whitney Biennial 2006 doesn't have to tell us
it's not morning in America: We know that by watching the evening
Fra Angelico's genius for depicting the interior life--states of love, spirituality or anguish--is stirring the interest of contemporary artists.
In no other body of work is the sexuality of human flesh explored as truthfully
as in the transgressive, erotically charged images created by Egon Schiele.
THE MAORI STILL FIGHT FOR JUSTICE
The undulating monoliths in architect Peter Eisenman's Holocaust
memorial in Berlin are more banal than beautiful--which suits Eisenman
Robert Smithson's epic earthwork, Spiral Jetty
tends to render critics speechless.
Max Ernst at the Metropolitan Museum of Art.
Basquiat in Brooklyn.