Music

Music for Change Music for Change

Springsteen's got it right: No retreat.

Jan 13, 2005 / Books & the Arts / Jenny Toomey and Rob Rosenthal

Geezerstock Geezerstock

When I was a kid--this was before television--the radio was my best friend.

Jan 13, 2005 / Books & the Arts / Paul Krassner

Rapping on Empty Rapping on Empty

Several weeks ago the 32-year-old hip-hop superstar Eminem, America's staunchest and most spectacular amoralist, found himself in an unusual position, suddenly cast as the moral ...

Dec 22, 2004 / Books & the Arts / Jody Rosen

Little Big Man Little Big Man

No musical life has been told more often than Wagner's. Biographies have wafted incense around him, or been incensed by him.

Nov 24, 2004 / Books & the Arts / Paul Griffiths

What Bearden Taught Me What Bearden Taught Me

Also in this issue, an essay on Romare Bearden by Arthur C. Danto .

Nov 18, 2004 / Books & the Arts / The Nation

Flowers for Albert Flowers for Albert

On the morning of November 25, 1970, the body of a young African-American male was recovered from the foot of the Congress Street Pier in Brooklyn.

Nov 4, 2004 / Books & the Arts / Brian Morton

Fortunate Son Fortunate Son

Travistan will keep kids asking questions about music, politics and life.

Oct 29, 2004 / Books & the Arts / Hillary Frey

Eminem Aims at Bush Eminem Aims at Bush

"Mosh" could be one of the most overtly political pop music videos ever produced.

Oct 26, 2004 / Books & the Arts / Sam Graham-Felsen

Guided by Voices Guided by Voices

The new Tom Waits album begins, in very Waitsian fashion, with a racket: a squall of percussive noise that sounds like it was recorded in a freight elevator.

Oct 21, 2004 / Books & the Arts / Jody Rosen

Pay Attention Pay Attention

A star is on the rise for Death Cab for Cutie. The Seattle-based indie band's last record, Transatlanticism (Barsuk), has sold just over 184,000 copies.

Oct 14, 2004 / Books & the Arts / Hillary Frey

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