‘Nation’ Note ‘Nation’ Note
Arthur C. Danto steps down as art critic of The Nation but continues as a contributing editor.
Mar 11, 2009 / Books & the Arts / The Editors
The Eye That Collects: On Walker Evans The Eye That Collects: On Walker Evans
Walker Evans's collection of picture postcards, on display at the Metropolitan Museum of Art, is an artistic project in its own right.
Mar 5, 2009 / Books & the Arts / J. Gabriel Boylan
The Human Metaphor: Marlene Dumas and Barkley Hendricks The Human Metaphor: Marlene Dumas and Barkley Hendricks
The paintings of Marlene Dumas, at the Museum of Modern Art, and Barkley Hendricks, at the Studio Museum of Harlem.
Feb 11, 2009 / Books & the Arts / Barry Schwabsky
Back Talk: Nato Thompson Back Talk: Nato Thompson
A conversation with Nato Thompson on experimental geography, Trevor Paglen and the outlook for the arts.
Jan 28, 2009 / Back Talk Conversations / Christine Smallwood
Point and Place: William Eggleston’s Vibrant Spaces Point and Place: William Eggleston’s Vibrant Spaces
Democratic Camera: William Eggleston's grand and gorgeous retrospective at the Whitney Museum.
Dec 22, 2008 / Books & the Arts / Barry Schwabsky
Rising Above Rising Above
An anecdotal history of New York City street art.
Dec 16, 2008 / Books & the Arts / Nick Stillman
Back Talk: Thelma Golden Back Talk: Thelma Golden
The director of the Studio Museum in Harlem talks about gentrification, MFA burnouts and how artworks speak to us.
Dec 10, 2008 / Back Talk Conversations / Christine Smallwood
Jarring Bottles: The Paintings of Giorgio Morandi Jarring Bottles: The Paintings of Giorgio Morandi
The paintings of Giorgio Morandi render new meaning to the term natura morta.
Dec 3, 2008 / Books & the Arts / Arthur C. Danto
Agony and Ecstasy: The Art World Explained Agony and Ecstasy: The Art World Explained
What we talk about when we talk about art.
Nov 13, 2008 / Books & the Arts / Barry Schwabsky
Seeing Past the Gorgons Seeing Past the Gorgons
The New Yorker's art critic turns his eye toward the cultural summits.
Jun 19, 2008 / Books & the Arts / Barry Schwabsky