Sculpting With Color Sculpting With Color
Ed Clark and Lynda Benglis are still making art on a grand scale.
Apr 22, 2014 / Books & the Arts / Barry Schwabsky
Past, Present, Futurism Past, Present, Futurism
The Guggenheim’s Futurism exhibition and the Whitney Biennial offer competing visions of present-mindedness.
Apr 2, 2014 / Books & the Arts / Barry Schwabsky
Studio or Square? Studio or Square?
Art and revolution in Cairo.
Mar 11, 2014 / Books & the Arts / Jenna Krajeski
Whistler’s Battles Whistler’s Battles
Ambitious beneath his pose of indolence, James McNeill Whistler was the most contradictory of artists.
Feb 19, 2014 / Books & the Arts / Barry Schwabsky
Big MoMA’s House Big MoMA’s House
MoMA’s new expansion plans represent avant-gardism at its most deracinated.
Feb 19, 2014 / Books & the Arts / Michael Sorkin
Permission to Fail Permission to Fail
MFAs aren’t a problem: it’s artists being content with what they know.
Jan 22, 2014 / Books & the Arts / Barry Schwabsky
Surviving the Moment Surviving the Moment
Do our financial wizards, like vampires, leave no reflection in the mirror of art?
Dec 18, 2013 / Books & the Arts / Barry Schwabsky
Monumental, Imperial Monumental, Imperial
The beauty and muchness of Ai Weiwei’s art is often underwhelming.
Nov 25, 2013 / Books & the Arts / Barry Schwabsky
Arthur Danto: A Critic With ‘a Beatific Sense of Wonder’ Arthur Danto: A Critic With ‘a Beatific Sense of Wonder’
If, in an age of mechanical reproduction, art had lost its aura, he restored that aura; he enchanted an unenchanted world.
Nov 6, 2013 / Books & the Arts / Elizabeth Pochoda
Abandoned Futures: On Carol Bove Abandoned Futures: On Carol Bove
Sculpture as a study in disintegration.
Oct 1, 2013 / Books & the Arts / Barry Schwabsky