From the Dirty Silences From the Dirty Silences
Must art confront ugly realities with an ugliness of its own?
Nov 11, 2014 / Books & the Arts / Barry Schwabsky
Pictures of Icarus Pictures of Icarus
With his cutouts, Henri Matisse tried to free himself from gravity.
Oct 21, 2014 / Books & the Arts / Barry Schwabsky
Under Pressure Under Pressure
How much of the pressure of reality can a work of art bear before it ceases to be art?
Sep 23, 2014 / Books & the Arts / Barry Schwabsky
Arthur Danto’s Critique of the ‘Aesthetic Terrorism’ of Jeff Koons Arthur Danto’s Critique of the ‘Aesthetic Terrorism’ of Jeff Koons
A solo Koons exhibition, Danto wrote in 1989, was “a vision of an aesthetic hell.”
Sep 2, 2014 / Back Issues / Back Issues and Arthur C. Danto
The Haus of Maus The Haus of Maus
Art Spiegelman’s twitchy irreverence
Aug 27, 2014 / Books & the Arts / Alisa Solomon
Hope Against Hope Hope Against Hope
Jeff Koons and the art of blissful idiocy; Kara Walker’s art of subtlety.
Aug 27, 2014 / Books & the Arts / Barry Schwabsky
Shelf Life Shelf Life
Trevor Winkfield is a connoisseur of the original, spare and strange.
Aug 12, 2014 / Books & the Arts / Barry Schwabsky
The Birth of Bad Taste The Birth of Bad Taste
Why Italian Mannerists like Rosso Fiorentino were painting’s first avant-garde.
Jul 2, 2014 / Books & the Arts / Barry Schwabsky
Favorite Hallucinations Favorite Hallucinations
Did Chris Marker think history to be not only an infinite book but a sacred one?
May 21, 2014 / Books & the Arts / Barry Schwabsky
Higher Beings Commanded Higher Beings Commanded
A quartet of shows at MoMA decoct enlightenment from the banal.
Apr 30, 2014 / Books & the Arts / Barry Schwabsky