In Summer of Sam, Spike Lee has made a small, shapely drama about two young Italian-American couples in the Bronx.
It's 9:45 Tuesday night, and the house lights have just come on after the final scene of Wit--the surprise Off Broadway hit about a terminally ill English professor and her experience as a
Legend has it that Potemkin, burdened by duties and melancholy, once neglected to order the packing up of one of his stage-set villages.
The title character in Run Lola Run lives underneath a fibrous growth that in shape resembles a neglected patch of lawn and in color brings to mind a fire engine--or maybe a fire engine cr
In the movie that has been assigned to us to write about, Austin Powers: The Spy Who Shagged Me, Mike Myers from Saturday Night Live plays a secret agent named Austin Powers.
In Variety, where industry rumors congeal into analysis and analysis hardens to consensus, the news is bad for filmmakers like Alexander Payne.
A cluster of concepts that, before the seventies, had together formed the received idea of art and artists came under intense criticism in that decade.
Before I ask you to see Eternity and a Day, I'd better explain something about its director and co-screenwriter, Theo Angelopoulos.
Not only now but every week, I am reminded at two-minute intervals of the influence of Star Wars.